Singer-songwriter J. Scott is a native of Jacksonville, FL. Born Javon Scott, the classically trained vocalist discovered his love for music at a young age, through his experiences singing in church and classical choirs. He released his debut EP “Call Me When You Get This” in 2018. Scott’s cited inspirations include Kelis, Brandy, and Stevie Wonder. His collection of songs captures the full essence of the Pop and R&B spirit, as he sonically channels his musical influences and blends a delicate mix of old-school melodies over new school sounds. Scott devotes himself entirely to his craft and never gives up in the face of adversity. As an openly gay male, the vocalist acknowledges the challenges he may endure in the music industry. He encourages his supporters (aka the #ScottieHotties) to have faith in their gifts and pursue their dreams with full force because anything is possible. Scott has worked extensively over the length of two years to focus on new music, experiment with different approaches, and expand his distinct sound. Fans have been anxiously anticipating the release of new material and his fresh single “edibles” proves the delay was well worth it. The slow jam infuses trap elements, poignant electric guitar, and piercing, soulful vocals.

J. Scott recalls “I had the idea of writing a song called ‘edibles’ coming back from LA Pride last year. That dream manifested one night in one of my most memorable sessions where myself and a good friend had one too many magical cookies and created an audio moment.” The single “edibles” provides only a sample taste of what to expect from Scott’s new material and leads to his follow-up sophomore release. Be sure to check out J. Scott’s new EP “Adoration” that recently dropped on June 26, 2020.

Connect with J. Scott on his social platforms:
Website: https://www.jscottofficial.com/
Facebook: https://www.facebook.com/j.scottmusicofficial/
Instagram: https://www.instagram.com/j.scott/
Twitter: https://twitter.com/hisnameisjavon

​Review By: Bri Rodriguez

Jen Janet cannot be conquered. She has achieved success in multiple creative outlets, including fashion, modeling, and photography. Her musical endeavors consist of the 2017 release of a pop-oriented EP “Dangerous” as a solo artist, and the roles as frontwoman and lyricist for progressive rock band Mimesis and gothic metal act Novarium. Now she is back with new solo material that embraces a darker direction.

“I Don’t Belong” heavily correlates with the single “Possession” as it feels like an epilogue track, picking up the pieces and extending the narrative. This marks a contemplative single with an orchestration that molds perfectly with Janet’s empowered vocals. Sonically, it is similar in nature to “Possession” with electronic elements and a cinematic ambience. The track is reminiscent of artists like Lacuna Coil and Chelsea Wolfe. This composition exhibits powerful drums, an ethereal melody, and a dominating vocal delivery. Janet exposes her vulnerability as she fights an internal battle and struggles to hold steadfast: “I’m so empty, heavy. The light behind my eyes is fading with time / I don’t belong, I won’t be long”. The highlight of the song occurs at the bridge, where the instrumentals are stripped back, isolating Janet’s vocals with supporting background harmonies. The piece then continues to escalate until fading out. This strategy ties everything together and effectively concludes the track on a strong note.

“I Don’t Belong” is a penetrating labyrinth, prominently fueled by emotive lyrics and an emotionally charged vocal performance. Janet brilliantly shines in her work as it showcases her evolution and solidifies her presence as a solo rock artist.

“I Don’t Belong” was released today July 31, 2020.

Connect with Jen Janet on her social platforms:
Website: https://jenjanet.com/
Facebook: https://www.facebook.com/jenjanetmusic/
Instagram: https://www.instagram.com/jenjanetmusic/
Twitter: https://twitter.com/jenjanetmusic

Review by: Bri Rodriguez

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Post-hardcore band Same Gods have released the single “Remission” from their upcoming debut album “Worried Eyes”, which drops on July 10, 2020. The quartet originates from New York, with a lineup that consists of: Jon Davis (vocals), Brendon Flynn (guitar), Shane Conzone (bass), and Steve Sopchak (drums). This song established a strong foundation for the band and set everything in motion, providing both inspiration and the necessary momentum to push forward and reach their goals as a group. All of the members are experienced musicians who have pursued different routes within the industry, working alongside other bands and fulfilling roles in writing, producing, and touring. Their diverse backgrounds proved beneficial once the timeline finally aligned for them to join forces and form the project that would become Same Gods. Sonically, the single invokes a sense of nostalgia as it feels like a time capsule that has traveled back to the 90’s era of grunge and alternative rock, with a sound complementary to bands such as Helmet, Soundgarden, and Thrice. This track expresses an earnest cry out for answers, a sensation of being haunted by a ghost-like emptiness, and a search for more purpose in life. Melodic riffs, melancholic harmonies, and emotive lyrics stand out in “Remission”, providing a poignant sample of what is yet to come from their anticipated debut release: “Searching for some sign of life / And my head keeps spinning, through the life in plastered eyes / Like a cold world satellite”.

You can connect with Same Gods on their social media platforms and keep up with new content.
Check them out here:
Website: https://samegods.com/
Facebook: https://www.facebook.com/samegods/
Instagram: https://www.instagram.com/samegods/
Twitter: https://twitter.com/samegodsband

Review by: Bri Rodriguez

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Jen Janet is a mighty force to be reckoned with. She has explored the creative avenues of fashion, modeling, and photography. Musical endeavors include the 2017 release of her pop-oriented EP “Dangerous” as a solo artist, and the fulfillment of roles as lead vocalist and songwriter for progressive rock act Mimesis and gothic metal band Novarium.

A distinct shift in style is established in Janet’s new solo material, unveiling a powerful, darker sound that features symphonic elements, dynamic instruments, and an intense infusion of rock and electronics. Janet’s single “Possession” adopts an atmospheric quality that is supported with eerie choir vocals and poignant lyrics that illustrates the desire to escape a toxic relationship, break away the chains, and be your own person, free from the expectations of others: “Can you take back my demons? I don’t want them anymore / “I don’t belong to you”. The composition is reminiscent of artists like Evanescence and Within Temptation, complete with synthesizers, illuminating hooks, and an orchestration that blends intricately with Janet’s captivating vocal delivery. This haunting track evokes a cinematic feel and pulls back the curtain, showcasing Janet’s tenacious spirit and her growth as a solo rock artist.

“Possession” was released today July 8, 2020.

Connect with Jen Janet on her social platforms:
Website: https://jenjanet.com/
Facebook: https://www.facebook.com/jenjanetmusic/
Instagram: https://www.instagram.com/jenjanetmusic/
Twitter: https://twitter.com/jenjanetmusic

Review by: Bri Rodriguez​

Bleed From Within has taken metalcore to a new level with their 5th studio album! Fracture starts off with down-tuned chugs and smashing drums building to clean choruses with a powerful punch. As the album continues Bleed From Within keeps the energy flowing even adding a solo in Night Crossing by Matt Heafy of Trivium. With 4.6M US streams and 406K listeners on Spotify Fracture is sure to prove that metalcore is as alive as ever in 2020.
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You can follow Bleed From Within on the following:
Website: https://www.bleedfromwithin.com/
Facebook: https://www.facebook.com/bleedfromwithinband/
Instagram: https://www.instagram.com/bleedfromwithin/
Twitter: https://twitter.com/BleedFromWithin

Review By: Roland Street

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Aussie grunge-rock band, Violent Soho, now signed with Pure Noise Records, released their newest album, ‘Everything is A-OK’ on April 3, 2020. This release was a big one for the band, and much anticipated as their last album had gained them a No. 1 chart debut and headlining spots on sold-out tours. ‘WACO’, their previous album created some ‘personal upheaval’ for members of the band, which inspired the four year break prior to releasing the new, ‘Everything is A-OK’, record. 

‘Everything is A-OK’ calls out the shallow, brand-obsessed culture that we live in, challenging the overly-curated, content-driven normalcy of the world. The record is raw, honest, and full of lessons learned. Guitarist/vocalist Luke Boerdam says, “It’s honest. It doesn’t claim to be anything it’s not; it’s apolitical, cynical, and trying to connect with people over a shared experience in pointing out society’s failures and the personal shit that follows.” 

Violent Soho’s sound and style are perfectly crafted, and so naturally authentic. The sound of this specific album is inherently grunge with loud rock guitars, big ass drums, and out of this world vocals and lyricism. The heavy, cynicalistic styles of grunge are very prominent throughout the album, as they always have been with the band’s sound, but more-so in this new record. What really stood out in their newest releases was how much their sound and style has grown from ‘WACO’. The band really follows no ‘rule book’ when it comes to their style or writing, or who they are, but this album showcases the band’s strengths perfectly, it just really hits the right nerve. 

Violent Soho have released three singles from the new album. The single, Vacation Forever, is incredibly honest, almost shocking you a bit as you listen. Essentially, the older generation wants a “good life” that is a different idea of what the younger generations believe to be a good life and/or the “good life” is unattainable for the younger generations to achieve. People are tired and just want to live life without having to struggle so much. The lyrics are incredibly well-written and relatable. 

‘Why do they see right through me all the time, Cause they all want the good life, But I just want to breathe, Cause I packed my bags, and I drained my veins and I got my reasons seen, Cause I got no car, and I got no house but I kept the garden clean, There’s a baby boomer across the street and it won't stop staring at me, Vacation life, forever in strife, I'll leave the family, I just wanna be’ 

Watch the Vacation Forever Official Music Video 

‘Pick It Up Again’, another single off the album, is one for the live shows, for sure. This track is perfect for shows, with head bang-able rhythm, lyrics crafted for singing along, and a mosh-pit friendly energy. Get ready to rip up the pit, with this one. “And the chorus of the day, Being loose and extra frayed, And the crowds that caused a sway, Were crushed by all their weight, 'Cause I'll never be the same, I've forgotten who I am, It's gone again, Pick it up again, Pick it up” 

Watch the Pick It Up Again Official Music Video 

The final single, Lying On the Floor, is another great track of the new record. It has a really classic grunge feel to it; very 90’s-esque. The chorus, ‘Lying on the floor is all I wanna do,’ speaks to the exhaustion of trying to keep up with this branded version of yourself that is expected in the era of social media. The message of the lyrics talks about how uncomfortable it is to keep up with this constantly curated version of yourself, and how it would be nice to be able to break away from that. “I don’t wanna be fake, All these things that I say, Keep pulling my skin, Just let me out, I don’t wanna be cold, Getting older and older, Keep twisting my thoughts, Just let me out Like a cigarette break, I just need a complaint, Some trap you made, Just let me out, find my sin bin, just throw me in, Lying on the floor is all I wanna do, Lying on the floor is all I wanna do, Don't let me hit the ground” 

Watch the Lying on the Floor Official Music Video 

Through and through it’s a fantastic record that shows a relatable outlook on the current state of the world. The work put into each track shines through, as mentioned before, they’ve grown in sound and style since their last record. They did a great job at taking that last album and the success they had from it, keeping that same sound, and evolving and polishing it into something more cultured, defined, and solid. This could definitely be classified as an un-skippable record, as the message is so clear, engaging, and lyrically brilliant. 

As a final side note, the band just released a mini-documentary about the making of the ‘Everything is A-OK’ record, going into a bit more depth on the burn-out after the WACO album, and how they took the four years to perfect the songs for their new release, and really hone in on their sound and what they wanted this album to be. The documentary was incredibly insightful, giving an inside look at their recording processes, and gives you that personal touch to connect you even more to the band. Overall, every aspect of the record is a home run. 

Follow them on social media, links below. 
SOCIAL LINKS:
Facebook: https://m.facebook.com/violentsoho/
Instagram: https://www.instagram.com/violentsoho4122/ T
witter: https://twitter.com/violentsoho
Website: https://www.violentsoho.com/ 
Mini Documentary about the making of Everything is A-OK https://www.youtube.com/watch?v=K360PzEuvHY 

​Review By: Maddisen V

Atlanta Rapper / Producer Jonathon Eley recently dropped his third album “America 25”. An appropriate title to a project that fleshes out the experience of a twenty-five-year-old African American musician in the U.S. Despite it being a story that hip-hop listeners are all too familiar with, Jonathon makes it his own and keeps the listener excited to hear more by bringing variety and substance to a handful of well-polished tracks.  

With “America 25” Jonathon shows off his ability to hit multiple genres and styles along the 11 tracks in the project. Something you only see from some of the most talented in hip hop. In fact, one of the first songs “Who Do You Think You Are?” starts the album off with a more alternative sounding track which gave definite Linkin Park feelings. This is quickly contrasted with the ever-popular dark-trap sound in the next track entitled “fear”. Don’t let that fool you into thinking it would lack substance, for it's probably one of the deeper cuts on the album. There is never a predictable moment in this album. Where songs that have some bounce like “Pardon” which make you think you’re listening to Joyner Lucas, others will be more melodic or drawn-out that reflects artists like Saba or The Weekend. 

The downside to this project is that it will apparently be Jonathon Eley’s final contribution to the hip hop genre. It's something you can hear being reflected in some of the tracks yet its still very unfortunate because he has so much to give.

​Review By: ​Dylan Yesenofski

Hard to believe this 4 piece band has been entertaining audiences for 20 years. The New Jersey natives, who alternate lead vocalists, have come back with another album of catchy songs full of addictive melodies and harmonies. From the opening title track to the culmination “Bright Lights”, you feel upbeat and like you can't wait to hang out with friends and enjoy a beer. Although known to play a few covers during their live shows, their original material shows that they don't need to rely on it. The song “Me and You” is a personal favorite. The band has a slight 10,000 Maniacs feel to it that makes it an easy listen. And let's face it, we need that right now.

Review By: Amy Breaux​

Brazilian rock trio Stone Sea have released their single “Slice of Depth”, a song saturated with the grunge of the 90s. You can hear the Alice in Chains influence permeate throughout the entire song, which the band has decided to be mysterious about. If you are a fan of the grunge of the early 90s, which I am, this is definitely for you. This song has the melodic darkness that favored bands like Nirvana and Soundgarden. Very stripped down , the song displays the grittiness and raw emotion that seems to be a trademark for lead vocalist and guitarist Elvis Suhaolnik Bonesso, bassist Jonathan Parminter, and drummer Connor Middleton. 

You can check it out here: https://www.youtube.com/watch?v=rZI3Gnx5cb0 ​

Photo By: ​Sandro Alencar Mrowinski
Review By: Amy ​Breaux

​Sleep House are a four piece alternative pop band natives of New-Jersey. The band released their latest single ‘Stephanie’ on Valentine’s day, taking us on a journey of losing the person you love and having to accept living without them. 
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‘Stephanie’ is a slow song with clean vocals, upbeat instrumentals and riffs. The song feels melancholic and joyful simultaneously whilst the lyrics take us on a journey of pain, acceptance and dealing with the difficulties of being in love. ‘Stephanie” has a catchy chorus that will get stuck in your head making you want to play the song on repeat 

You can check out Sleep House on the following: 
Website: https://www.sleephouseband.com/
Facebook: https://www.facebook.com/SleepHouse/?ref=bookmarks
Instagram: https://www.instagram.com/sleephouse/
Twitter: https://twitter.com/SleepHouseMusic

Review By: Sarah Perry

​James Lanning is a Maryland-bred solo artist tackling mental health with music. James has spent the last 10 years living in New York getting inspired by storytelling and hip-hop which influence his tracks turning him into a brilliant lyricist that captures emotion. James shares his struggles with depression and suicidal thoughts with the world to comfort those who are facing similar issues and to tackle the stigma around mental health and how it is treated. The rapper has recently released his latest single Berlin Blue.

Berlin Blue starts off with a repetitive radio sounding voice that eases you into James’s voice. The lyrics are raw, you can feel his pain and experience his feelings with him throughout the song. Berlin Blue keeps the same slow beat paired with James’s tone of voice and lyrics which gives the listener a melancholic feel. 
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Lanning recalls, “I don’t remember writing it, though I do remember the time surrounding it; plodding around Berlin in February hoping to find any way to stop the infinite loop of the same few thoughts that would consume every second of every day for over half a year.” This single is short but will leave you feeling emotional and wanting to listen to more of James’s work to enter his mind and understand the difficulties surrounding mental health.

You can follow James Lanning on the following:
Website: http://jameslanning.com/
Facebook: https://m.facebook.com/jamesslanning
Instagram: https://www.instagram.com/jamesslanning/

Review By: Sarah Perry

​The Weekend Run Club are a five-piece alternative / indie rock band from the Chicagoland area. They have recently released their debut album ‘ZOO' containing 12 tracks full of joyful tunes. ‘ZOO' gives you a summery and feel-good vibe while presenting you with lyrics that will make you feel. The album starts off with ‘Always', a slow song that builds up to surprise you with a burst of energy setting the scene for the next song “Beck" and the rest of the album.

Every track on the album is full of passion and energy making you want to dance and sing along. As the tracks go on they get more and more intense really giving the listener that full immersive experience. ‘Tired’ has some beautiful guitar riffs and sounds bouncing off  each other that make the instrumentals of this track stand out the most.  Each song is paired with clean vocals and soft tones as well as instrumental part producing beautiful riffs. ‘ZOO' finishes on a high with ‘Overwhelmed’ which is how you will feel after the first listen of this album before you start to play it on repeat. The Weekend Run Club have set the bar high for the Indie scene with their first album so we cannot wait to see what they bring to the scene next.

You can follow The Weekend Run Club on the following socials:
Facebook: https://www.facebook.com/theweekendrunclub/
Twitter: https://twitter.com/weekendrunclub
Instagram: https://www.instagram.com/weekendrunclub/​

Review By: Sarah Perry
Photo By: Alex Zarek

UK Indie rockers Insolace just dropped their third single within the last six months. Titled “Not Alright”, singer Millie Cook and the boys tackle the burden many people feel in the expectations put on them by societal norms while aching to break free of those same chains. The single is hypnotic and melodic and let's face it, incredibly timely. The hope they offer their listeners is the strangest mixture of subtle and obvious.  There are some songs you can just play over and over again and not get tired of it. “Not Alright” is destined to become one of those songs. 

Review by Amy Breaux

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​Jamie Cullum is an English jazz-pop singer-songwriter who recently brought his sweet vocals and his seven piece band to the Armadillo in Glasgow. The night was going to be more of a relaxed one with some smooth jazz and singing while we listened from our seats in the fourth row. They all entered the room and stood center stage for a acapela themed "Write Off Man Kind" accompanied minimally by a cello. It was a soothing start to the night and I was enjoying the mix of voices and string. He hit it off with his new single "Taller" as the beat began to pick up the pace and he played the piano faster than I could ever manage, whilst singing, what a talented man. He paused in between sets to show off his new suit that he had bought for this tour but the trousers were still stretching out, he explained, so they were super tight and uncomfortable but he was going to play on despite this. "Get it your way" and "The man were next to be played, followed by "Drink" (which I really enjoyed live) and "I Get A Kick Out Of You" which he last played in Glasgow 20 years ago which was the first time he had played in the city and it was live on air. My personal favorite was played "What A Difference A Day Makes" which is his classic song in my opinion but was glad it was played as I thought that he was going to miss it out. I enjoyed the evening and wish him all the best as he has suspended his tour currently due to unfortunate circumstances but I am sure he will continue it as soon as he is able to.

Review/Photo By: Tyler Sams

Kicking up a storm with their headlining UK and EU Tour, Kid Kapichi found their way to the Garage (Attic Bar) in Glasgow on the third night of the tour. The Hastings based rock group brought their explosive sound to our ears and their reputation of performing ferocious live shows was upheld that night. Front man Jack Wilson cam on stage sporting a black ski mask which could have been seen as intimidating but their fans were expecting as such as the room was filled with their screams of joy, not fear. Their opening song "Thug" is their number one song on Spotify currently which made it only right for it to be the opening song - which made sense of the ski mask as it features heavily in their music video and album art. They kicked up a storm that night in The Garage, their electric energy fueled the crowd as they created their own mosh pit in the center of the room and they sang other songs from their latest released EP's and albums which created an epic night. The band consists of four members: Jack Wilson and Ben Beetham (joint lead guitar/vocals), George MacDonald (drums) and Eddie Lewis (bass). These guys are going places and have already been featured on BBC 1 radio's playlist with "Glitterati" and Death Dips". Keep an eye on these guys, don't let them out of your sight!

Review/Photo By: Tyler Sams

​Glasgow was in for a night of old-school garage, dance and hip hop music as music legends attended the SSE Hydro on their tour around the UK. Fans were taken back to their childhoods with songs from the 90s. The show started with some UK Garage artists who warmed up the stage for the host FatmanScoop who was incredible as he managed to keep the energy going throughout the show. At one point he disappeared only to reappear in a blue tartan kilt and proceeded to go "taps aff" in front of hundreds of fans.
Blue Cantrell was the first of the line up to grace us with her melodies as she sang "Make Me Wanna Scream" and "Breathe" which had the crowd joining in for the most part. Following this act was Mya who was sporting an all glitter play suit, stunning her fans with her shinning light, and supported by her DJ and back up dancers. 

There was a mystery act advertised on the poster and we were all waiting with anticipation to find out who this could possibly be. She blasted onto the stage with her reggie vibes and sang us her new song - it was EVE. Celebrating international Woman's day, Eve had a special shout out to all the women in the house (venue) and they equally gave
her an even bigger shout out back.

Next onto the stage were the iconic duo - Salt N Pepa. They came in charged with energy and graced us with some "Push It" and "Let's Talk About Sex" which are songs that almost everyone would have been listening to in those dance halls. Now one of my favorite acts from the night, singing songs such as "Boombastic" "Oh Carolina" and the very best "It Wasn't Me" - Shaggy. He also made a speech referencing International Woman's day along with his song "It Wasn't Me". The last act for the night was the incredible Nelly. He was accompanied by Ali and City Spud and two amazing dancers who were doing moves I wish I could perform. He belted out "Ride Wit Me" and closed his set with "Hot In Herre" and "Dilemma". The fans that had filled the Hydro wanted more, they weren't content until they had one more song from Nelly and so he came back on to cheers from the crowd to sing "Just A Dream" which seemed like a perfect end to the night.  

Review/Photo By: Tyler Sams