Ehahn releases new heart-wrenching and vulnerable single ‘Forget My Name’ Featuring Real Remy7/23/2021  Ehahn is a 19-year-old singer, songwriter, and producer from Chicago and is currently based in Philly. She fell in love with music at a Taylor Swift concert in middle school and has been writing and playing instruments such as guitar, drums, bass, and cello ever since. Her first taste of performing was with her high school band, Wilde, that performed all around her home city. Though she may have started out with a bit of T-Swift influence and an indie rock group, Ehahn’s current musical style touches on so much more.
“Forget My Name” is about the type of relationship where someone is using you just to have someone that wants them. They don’t really care about you until you move on and then all the sudden, they want you back, but it’s too late. In that situation you feel really vulnerable which you can feel in the verses with the soft and simple piano, but it can also make you really mad and frustrated which is represented by the heavy chorus. The song starts out slow and soft, talking about how they met and reminiscing about the moments and whether they were doomed from the start but realizing that she was too far in already even though she wasn’t sure the feelings were reciprocated. But the tune soon gets harder and louder when she starts wondering where they were when she needed them, thinking that maybe she didn’t need them after all. It plays on a like a loop, she talks about what went wrong and where you can see the red flags in the relation before turning back to the chorus, realizing that it’s been enough and you don’t need someone like that in your life. The bridge at first didn’t have a feature on it but Ehahn explained that she didn’t like it and then reached out to Real Remy, who she went to school with, because she knew he was good and she didn’t lie. The two voices together in a song make It unique and it brings the song up to a new level. You can listen to ‘Forget My Name’ here: https://open.spotify.com/track/4CqCRWZzCVUO9CdICSV32N?si=edc38f631b924cbd Connect with Ehahn here: Twitter: https://twitter.com/ehahn18 Instagram: https://www.instagram.com/ehahn18/ Review by Anissa Steijns
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 Japanese metalcore band, Sailing Before The Wind, have a new single out on May 28th! The anticipated single, “Break the Silence", is a re-recording of an original track from the bands 2nd EP “A Ray of Light" which was released in 2012. In celebration of the band's 10th anniversary, original founding members Kneeya (vocalist) and Takaya (guitarist) have reunited to feature on this track. Bitoku Sakamoto, the bands only constant member and ex touring bassist for Crystal Lake, has recorded, produced and mastered this new song.
Break the Silence has beautiful riffs building up to Kneeya’s screaming vocals and breakdowns that will make you want to throw yourself back into a mosh pit. The opening melody to the song sounds like what you’d expect to hear in the build up to a boss in a video game, exciting and full of anticipation of what’s to come next. The lyrics are powerful, meaningful and literally say to “shout out loud", as the singer screams throughout the song about not giving up. In comparison to the original track, the new version sounds cleaner and more refined. The vocals in the original version of Break the Silence sound a bit deeper and rough compared to the new version. Sailing Before The Wind often feature twin guitar leads and metal riffs leading up to badass breakdowns across their tracks, paired with screaming vocals, thus creating songs that are enjoyable for true metalcore fans. The band has released 6 EPs and 3 Singles since their debut in 2011. You will be able to enjoy the re-recorded version of Break the Silence from May 28th 2021 across streaming platforms worldwide! By Sarah Perry. The band’s socials: Facebook: https://www.facebook.com/sailingbeforethewind Twitter: https://twitter.com/SBTW_official Instagram: https://www.instagram.com/sailingbeforethewind YouTube: https://www.youtube.com/c/SailingBeforeThewind Spotify: https://open.spotify.com/artist/2vqxAyqkpAngDDrjjNawov Apple Music: https://music.apple.com/jp/artist/sailing-before-the-wind/516407444 Bandcamp: https://sailingbeforethewind.bandcamp.com SoundCloud: https://soundcloud.com/sailingbeforethewind  Ludovico Technique have released their new music video for “Becoming Numb", the fourth song to be released from their forthcoming album “Haunted People". Ben V., and his band Ludovico Technique are a gothic industrial metal band from Orlando Florida, drawing inspiration from the likes of Skinny Puppy with touches of Rob Zombie and Type O Negative. Becoming Numb literally sends chills down your spine with its gothic and eerie tones. The riffs compliment Ben's vocals and give the song a familiar sound.
The video has icy blue tones and a visually dark aesthetic throughout. The gazes from the singer’s cold blue eyes paired with the long claw like nails, posture, smoke and instrument close ups all perfectly depict “Becoming Numb”. The video is entertaining and definitely one to watch on repeat! Both the song and video reflect the complex and thoughtful depth of Ludovico Technique's take on the gothic genre. The music video for "Becoming Numb" premiered on Alternative Press but can now be seen at the following link: https://youtu.be/78lgKae6CbU By Sarah Perry  Idle Minds is a new punk project hailing from the Cleveland, Ohio music scene. The band is a collaborative effort between Trevor Stout and Tom Stankiewicz. Trevor is the frontman of Idle Minds; the singer-songwriter got his start playing at local open mic nights and then began performing bigger shows with his indie rock act shelter pup. He also enjoys the art of poetry, a notable feat that can be observed with the release of ‘Rain Smell,’ a collection of poems and lyrics.
The influences of Idle Minds are a bit different, but they come together so well — Trevor lists Citizen, Sleeping With Sirens, Dance Gavin Dance as a few of his personal inspirations, while Tom cites the likes of The Menzingers and Pentimento. Idle Minds have recently unveiled their debut single “Blossom” and first music video. Trevor provided some insight regarding what “Blossom” is about: “The lyrics narrate the search for something better — coming from a place of not knowing how to get there quite yet. It explores the transitional phase between everything crashing down around you and building it back up into something new. The second verse solidifies the fact that sometimes it’s okay, and even necessary, to put up a front of being in a good place in order to manifest it into existence. On a big picture scale, “Blossom” represents new beginnings, new friendships, and all the background pieces in motion that brought this song to life.” The band’s debut correlates with flowers and the nature of the Spring season, when the plants are in full bloom. “Blossom” lyrics paint a vibrant floral landscape with its metaphors and poetic execution. The music video illustrates the beginning of this new chapter — the frames transition between shots of Trevor and Tom crafting a moodboard to document their memories; the pinned photographs are accompanied with the following captions: “vibin’,” “band pix,” jammin’,” “weekend run,” and “sound check.” Footage alternates between clips of the band members performing this new song in a living room and loading their gear into one of their local venues, Mahall’s 20 Lanes in Lakewood. There’s even a special feature of the band’s name on the marquee in their debut video! The concept of these visuals are simple and effective as it shows two friends putting in the hard work to form a band and get their project off the ground. “Blossom” is a chill pop-punk jam that showcases a flourishing debut for the early beginnings of Idle Minds. Keep an eye on this talented duo as new music will be coming soon from them — they’ve been sharing the progress of their work on their social platforms; the band’s been working hard in the studio, recording material for their EP. “Blossom” is streaming everywhere now. For more poetry by Trevor Stout, check out the hashtag #pressedpoetry on Instagram. Connect with Idle Minds on social media and be sure to stream their debut single “Blossom.” Spotify Bandcamp YouTube Review by: Bri Rodriguez  Salt Lake City based indie alternative band Brother. share a reassuring piece of advice in calming new track “EZ”. Like many other artists, the band had big plans for 2020, but the pandemic changed all of that, which took a heavy toll on them. It led them to reevaluate their art and their approach to overcoming the personal obstacles they faced throughout lockdown. Together they realized that maybe the solution to the anxiety and uncertainty they were facing in their career, was simply to slow things down and take it easy on themselves, which is something I think a lot of us felt at some point or another over the last year.
The dreamy, soothing vibe of the song, paired with the thoughtful lyrics felt authentic and sincere, reminding us that we need to take it easy sometimes and give ourselves room to breathe and process what we’re experiencing. Like a scene from an indie film, I pictured myself laying on a blanket in the grass, on a sunny, breezy day, looking up at the sky as the clouds pass by and I felt more at peace than I have in a long time. “EZ” serves as a reminder that things will get better as time moves along, but in the meantime, we need to take some time to realign ourselves, take it easy, and make the most of the journey ahead. Check out the song and new music video here! Be sure to check out Brother. on their socials to see what they’re up to! Website: http://www.brotherofficial.net/ Facebook: https://www.facebook.com/brothertheband4/ Instagram: https://www.instagram.com/brother.official/ Twitter: https://twitter.com/Brothertheband4 Review by: Cristina Herrera  Nashville based singer-songwriter Alyssa Joseph shares her personal experiences with navigating relationships in a raw, relatable track titled “sadboy”. With her tongue-in-cheek perspective on the kinds of relationships we often find ourselves in, she also provides a refreshingly honest take on something I think many people struggle with: recognizing and accepting that maybe the person we think we want most, isn’t really who we want. Maybe we just get stuck on the way we idealized them and what that meant to us, rather than who they really are.
Upon first listening, Joseph’s grungy, soulful sound is what initially drew me in. When I focused on the lyrics, I couldn’t help but reflect on my own relationships. The subtle sarcasm and her vulnerability were all too familiar for me, as I’ve also had an experience dating a “sadboy”. Looking back at how exhausting that relationship was, I felt a connection with this song because my feelings about the situation felt validated. It’s quite freeing when music can play that role in your life and I think Alyssa Joseph has found a way to share her feelings and experiences in ways that empower and encourage other people to be honest with themselves. With this in mind, I’m really looking forward to what she’ll do next! Listen to the song here! Be sure to check out Alyssa Joseph on her socials to see what she’s up to! Website: https://www.alyssajoseph.com/ Facebook: https://www.facebook.com/alyssajoseph27/ Instagram: https://www.instagram.com/alyssajoseph27/ Twitter: https://twitter.com/alyssajoseph27 Review by: Cristina Herrera  Seattle based pop singer-songwriter and producer CANNXN has released her debut EP Will I Always Feel This Way featuring songs “Will I Always Feel this Way,” “Lonely in the Morning,” and “Nightmare (Demo)” available on all streaming services on Wednesday, April 21.
CANNXN is about capturing lightning in a bottle. Based out of Seattle, WA, CANNXN is the homegrown musical project of singer & songwriter Megan Cannon. She has been writing and performing locally for the past five years, and has garnered a reputation for interweaving conversational lyrics with soundscapes that are both emotional and vibrant. Track list: 1. Will I Always Feel This Way 2. Lonely In The Morning 3. Nightmare (Demo) In the first song, CANNXN talks about the time she was having a hard time with a fixed schedule every single day and not being able to catch a break, trying to juggle everything that was going on in her life. She says that it got hard to keep putting on the happy demeanor that people knew her for when she felt drained, to the point where it felt like there was no point anymore. CANNXN talks about being burdened by multiple panic attacks every day and being held back and not being able to function in her daily life anymore. Luckily, she says that writing this song helped with lifting a weight off of her shoulder. In Will I Always Feel This Way, the rough patch CANNXN went through is easy to recognize through the lyrics. For me personally, it feels very relatable and I think that for people who have had the same experiences and thoughts, this is a good song to let every emotion out to. The upbeat music softens up the lyrics which somewhat washes away the dreading feeling behind the song and make it easier to feel more energized. This is the reason why this is my personal favorite of the EP, because while the lyrics are very heavy it sounds like a song to dance all your worries away too. Lonely in the Morning explores the fear of being a burden, while Nightmare (Demo) is about the insecurity and uncertainty that comes with growing up through a raw, authentic production. CANNXN is able to put her feelings and pain into the songs with the help of her powerful and smooth voice. Because of the wonderful vocals, the melody and beats don’t overpower the meanings behind the song but instead they are able to strengthen it and even push the songs to the next level. Listen to the EP here: https://distrokid.com/hyperfollow/cannxn/will-i-always-feel-this-way Spotify: https://open.spotify.com/album/5AtkJ0YgkwlvRrKzXSAUxP Connect with CANNXN here: Website: https://www.cannxnmusic.com Instagram: https://www.instagram.com/cannxnmusic/ Facebook: https://www.facebook.com/cannxnmusic Twitter: https://twitter.com/cannxnmusic Review by: Anissa Steijns  Chicago duo OK Cool made their debut in 2020 with the release of Anomia. Bridget Stiebris and Haley Bloomquist are friends who have collaborated together on previous projects, such as The Weekend Run Club. With ample free time on their hands due to the global coronavirus pandemic, they decided to write a song, which developed to become “I Can’t Stand in Ice Skates.” This material led to the formation of their latest project, OK Cool.
The band is now back with their sophomore EP entitled Surrealist. The record is composed of five tracks and kicks off with an opening line that earnestly yearns for a connection: “I never thought I’d be so desperate for awkward human interaction.” Bridget and Haley have released a set of tracks that explore an array of raw emotions, while remaining cohesive in nature. Surrealist infuses punk guitar riffs, emo melodies, crashing drums, and indie rock vocals — blending everything together with punk attitude and pop elements. Songs make references to the “Kill Bill” movie series with alludes of swords and death punches. The opener “I Should Buy a Sword” sets the mood for what’s yet to come with its DIY vibes and vulnerability. The infectious “Five Finger Exploding Heart Technique” presents an open narrative about the experiences and challenges that women uniquely face; including the dangers of walking alone, being catcalled, and all of the unwanted attention — a topic that’s extremely relevant now more than ever. “It’s just a little too bright when I stand outside. If anyone sees, I hope they don’t recognize me. I don’t wanna be perceived as anything.” “Hertz 2B” is a dreamy atmospheric shift in sound. While it is the lengthiest track on this EP, it still manages to flash quickly by. “Hypervigilant” and closing track “Divers” sonically expands that atmospheric scenic route and otherworldly sense of escape. The melancholy driven “Divers” is the perfect finale as the EP winds down — as the last note fades out, listeners are left longing for more (“I tread in the water for a minute, hoping that I won’t drown.”) Surrealist captivates with its strangely inspiring messages of resilience. The prominent highlights of Surrealist are its honesty and resonating lyrics that sentiment the struggles of life and the hard times we endure. Tracklisting “I Should Buy a Sword” “Five Finger Exploding Heart Technique” “Hertz 2B” “Hypervigilant” “Divers” Release Date: March 26, 2021 Check out Surrealist here: https://okcool.bandcamp.com/ Connect with OK Cool on their social platforms: Instagram: https://www.instagram.com/okcoolband Twitter: https://twitter.com/okcoolband Facebook: https://www.facebook.com/okcoolband Review by: Bri Rodriguez  Zenia is an alternative pop artist and songwriter from Bellevue, now living in Los Angeles. She released her first single of 2021 last February. The song is called ‘Favorite Song’ and it’s about being manipulated in a relationship and it being a never-ending loop. The song has various influences from many different artists such as Maty Noyes, Billie Eilish, and XYLO.
Zenia reveals that she loves writing songs that convey a feeling, a purpose or activism. “I wrote “favorite song” because of many experiences I’ve had in human bonds, romantic as well as friendships and relatives, where I got caught in the performance of fabrications they were putting on. I thought I was their “favorite”, a priority, or of some importance at all, but in truth was just being led on as though I were. Eventually, as easily as hello, came goodbye, as easily as goodbye, came hello. It was never ending, yet consistently intense. I came to realize they never had the capacity for compassion or respect, for themselves and least of all for me. The severity of that level of manipulation was shattering, to believe you’re cared for only to realize it was a deception based on their need to be in control” Zenia says. The experiences she talks about are apparent in the song. The song can be relatable to many people in many different situations or relations. “If I’m right, no I’m still wrong” is a phrase that would speak to many people as most have experienced it at least once in their lives, someone would never admit that they’re wrong or if they’ve made mistakes even when they themselves are aware that it’s not right. The song itself sounds calm and mellow, with Zenia’s sultry vocals yet there is a synth in there with a darker sound which fits everything perfectly. It gives the feeling of the actual meaning. “Rhythm in my heart, Replay, I fall apart, Listen to me, Before I’m just a memory, / We keep on with this echo, Distortion we can’t let go, So here we are again and again, ” The lyrics portray that even though she knows that the situation she’s in doesn’t benefit her in any way and could even be damaging, she doesn’t want to let go or isn’t ready yet to do so. It’s a heartfelt song and even without the lyrics, you can easily feel the pain within the melody. Zenia is a wonderful artist with an amazing set of vocals who is ready to create more music to inspire others. She’s planning on releasing a series of singles over the next year, so be sure to keep up with her. Stream the single here: Soundcloud: https://soundcloud.com/zeniamusic/favorite-song-feb1421-zenia/s-YtsSmZP3Xvg Apple music: https://music.apple.com/il/album/favorite-song-single/1553673854 Spotify: https://open.spotify.com/track/0ZgQmStPBgtkrGdDrqN6l4 Keep up with Zenia on Instagram: https://www.instagram.com/zeniasmile/ Review by Anissa Steijns  New York based artist CJ Arey is the creator behind NO SHADE. What started out as a way to get through a breakup transformed into something bigger than he could have imagined. With his music, he goes against the notion that artists should stick within a particular genre by incorporating elements of various styles of rap, hip hop and rock, drawing from influences like Machine Gun Kelly, Pierce the Veil, Issues and nothing, nowhere. His debut EP “Broken Down” blends these musical styles in a way that draws in a wider audience, offering a space for people to freely connect with their feelings on a deeper level.
Tracklist:
One of the most notable things found throughout the EP was his conscious effort to make each track unique to itself. Rather than stick to one genre or style, he manages to flow from hip hop to rock and then to rap, mixing these styles in ways that allow the songs to build off each other. “Comeback” starts the EP with a heavy guitar riff and incorporates other elements from various styles of rock music. “Alone” and “Fading Away” both feature hip hop styled beats layered with heavy guitar lines that make you want to dance, while “Fading Away” and “Suffice” give off more mosh pit, headbanging styled vibes. My personal favorite was “Stay Too Long”. If I were to choose one song from the EP to represent the piece as a whole, it would be this song because it embodies the core styles and elements of NO SHADE. Combined with the deep cutting, relatable lyrics that resonate within the listener, this is where the essence of this artist can be found; his vulnerability and willingness to open up about his feelings are comforting because I think it reminds us to allow ourselves to fully experience and process what we’re feeling. Like mentioned before, “Suffice” is the kind of song I imagine would open up a mosh pit at a show, so people can unleash their emotions while singing and headbanging along. When I listened to “Go” for the first time, I was reminded of the early years of bands like Bring Me The Horizon and Linkin Park, with their alternative and nu metal rock styles. Overall, the contrasting musical styles throughout each track were able to come together to bring the EP to a close. As a fan of the artists who influenced his music, I was curious to see what his music would be like and it instantly drew me in. NO SHADE brought together the best musical elements from various genres and turned them into a unique sound of his own. The honesty and transparency of his lyrics allow him to create meaningful connections through his music. For fans of rock, hip-hop and rap alike, NO SHADE offers not only the perfect mix of those musical styles, but a reminder that sometimes we need to allow ourselves to open up to our own feelings in order to move forward. Listen to “Broken Down” here! Be sure to check out NO SHADE on his socials to see what he’s up to! Instagram: https://www.instagram.com/iamnoshade/ Twitter: https://twitter.com/iamnoshade Review by: Cristina Herrera  Keep an eye out for the versatile force that is Jen Janet. She’s already accomplished so much throughout her experience in the entertainment industry and has developed her artistry; utilizing her skills as a photographer, makeup artist, model, videographer, and musician. Jen has stepped up to fulfill her role as frontwoman for multiple rock bands and as a solo artist.
At the start of the new year, Jen released the alluring “Shadows,” debuting her first single of 2021. “Headache” dropped in February, marking her second reveal of new material. Jen is now back with her latest single “My Garden.” She shared the details that it has been a work in progress for quite some time now. She started writing the song a while ago, but didn’t finish it until more recently. About the track, Jen explains, “I was inspired by a large mix of emotions, but the main point of the song is the feeling of suffocation and being overwhelmed.” Through its garden imagery, the narrative explores those intense sentiments. Jen states, “It’s the idea that someone might want you to grow, and they push you, and this can end up pushing you away even if they didn’t mean to.” The metaphor symbolizes the growth that takes place; you can water a flower and give it so much love — but there is a risk involved as it’s possible to over-water it, resulting in its death. It’s possible to give too much. “My Garden” introduces a heavier fusion of haunting magnetism and dark ambience. Jen’s opening vocals pierce the silent void and eerily linger within the atmosphere, before the percussion suddenly kicks in, accompanied by heavy guitars, electronic instrumentals, and an intense choral backing arrangement. “I got what I want from you, and you got what you want from me. I got what I want from you, now you can be on your way.” Introspective lyrics spin an unfortunate tale of a decaying love; initially this bond was strong and vibrant, it started off as a nourishing relationship (“Entwined in your vines. Plant the seed.. And then I feel you again. Planting roots in my head. And there’s love in my garden again.”) However, too much of a good thing can present dire consequences (“And when the rain floods my garden. Too much of a flourishing. Drowning. Too much life in my garden.”) — breaking down the healthy components that kept this greenery alive, leading to the harsh conditions of decomposition until its eventual demise. The single’s music video beautifully correlates with the song. Gothic visuals are set in an enthralling rose garden, with scenes that showcase different variations of Jen; she is adorned in black attire in one frame, before the sequence shifts to her wandering the garden in a white dress with an intricate black pattern. This changing scenery closely examines the nature of both elements — the light and dark — ultimately revealing the underlying toxicity of the once powerful connection. Jen Janet has a fierce, compelling presence that brilliantly shines in her art. She crafts her songs with authentic lyricism that bleeds out pure emotion and honesty. Be sure to follow Jen’s journey as she will be releasing new work in the future. Stream the single now, and watch the captivating music video for “My Garden” below. https://www.youtube.com/watch?v=JHgcLf9KLQM&feature=youtu.be Connect with Jen Janet on her socials: Website: https://jenjanet.com/ Instagram: https://www.instagram.com/jenjanetmusic/ Twitter: https://twitter.com/jenjanetmusic Facebook: https://www.facebook.com/jenjanetmusic YouTube: https://www.youtube.com/c/jenjanet Bandcamp: https://jenjanetmusic.bandcamp.com/ Review by: Bri Rodriguez  Candice Lee is a down to earth, authentic and inspiring powerhouse with a wholesome spirit. Her music displays a pop/rock edge with a hint of EDM. She is a multi-talented singer-songwriter, guitarist, harpist, pianist, bassist, and ukulele player. At the end of January, she has released her new single ‘How We Used To Be’
The melody of the song feels calm all throughout, it has a soothing sound when you look at the music without the vocals. It sounds like something you’d sway to while closing your eyes. The combination of the guitar and harp gives it the calming feeling, carrying this out even when the song starts to get rougher to get the message across. Even without the lyrics the general message of the song is clear. The calmness is bittersweet when you start to look at the lyrics. Candice Lee has explained how the song shifts from anxious feelings to images of hope to remind us that, while we face common struggles, challenges and emotions, we will come to a brighter time. She’s said it was inspired by the pandemic, all the longing feelings of what was. “The world took a pause And has shown all its flaws Chapter in history” However, sometimes people are in need of stability in different situations and this song will cover all of it. While it’s been inspired by the pandemic, it isn’t limited to it. Sometimes it’s about needing someone who is no longer in your life or the need for a new person or situation to help you. ‘How We Used To Be’ will give you that exact feeling. With the amazing and powerful vocals that Candice Lee provides, this can become the anthem you might need in times like these. If you’d ask me, I’d say it’s an amazing song to loudly sing along to whenever you feel like it. “All I'm saying, is I'm praying, that I'll wake up from this nightmare Can't escape this, I'm so anxious, mentally unprepared Pull me closer, when it's over, how I'm craving to feel you on my skin Take me back to how we used to live” Listen to ‘How We Used To’ here: Spotify: https://open.spotify.com/album/4k7CN7AnbV199daiFAaq14 Apple Music: https://music.apple.com/us/album/how-we-used-to-single/1548239286 Connect with Candice Lee on her socials: Twitter: https://twitter.com/candiceleemusic Facebook: https://www.facebook.com/candiceleemusic Instagram: https://www.instagram.com/candiceleemusic/ YouTube: https://www.youtube.com/channel/UC6ePCmYGe9fI1F3pngxoabA Website: https://www.candiceleemusic.com Review by: Anissa Steijns  Latin-pop artist JChris has brought out his new single ‘Hasta Abajo’. In our interview with him, he said that he and his producer wanted to make a contrast, to make something sexy and edgy. As soon as the instrumentals can be heard in the beginning of the song, this becomes very apparent. The intro sounds smooth and it gives a nice introduction to the first words sung. Seeing as the tone of the voice seems just as silky, it gives it a very pleasant feeling to listen to. It reminds me of the songs played at clubs and therefore it gives me the urge to start dancing to it like I’m at a party or club. As soon as the chorus hits, the feeling shifts into even more of a dance song. The voice turns from silky smooth to a deeper tone which only helps the bass and the beat.
The contrast that he spoke about can easily be heard when listening to his other songs. While the other songs are catchy too, ‘Hasta Abajo’ seems to stick by me more since it’s a very captivating and appealing melody. Sounds like these get used often but that doesn’t make it any less good. JChris and his producer were able to implement this rather well into the song and the overall vibe of it. Furthermore, the concept of the song and the vibe that comes with it was carried into the music video to display the general feel of it. With this song you can let yourself feel good for 3 minutes and get lost in it without worrying about everything else around it. I wouldn’t hesitate to add it to my playlist. Watch the music video for ‘Hasta Abajo’ here: https://www.youtube.com/watch?v=tdGV5_gjShs Stream ‘Hasta Abajo’ on Spotify here; https://open.spotify.com/track/0YShySHLB4KMDWTG5BfCkb?si=Gxc1RfCCSUCpwHLIyTcSIA Apple Music: https://music.apple.com/us/album/hasta-abajo-single/1545735500 Connect with JChris; Website: https://jchrisofficial.com Facebook: https://www.facebook.com/jchrismusic Twitter: https://twitter.com/jchrismusic Instagram: https://www.instagram.com/jchris_music/ YouTube: https://www.youtube.com/channel/UCj6hNYURLahtlYVW3KYP-mQ Review by: Anissa Steijns  SKAGS area Greek band described like no other. They bring theatrical and atmospheric vocals to progressive guitar-fueled soundscapes and euphoria-dripped synth lines. Their sound is described as ‘Alternative Electronic Psychedelic Rock’ and while this is a very specific genre, it’s the best way to describe it. On November 5, 2020, SKAGS released their first studio album ‘Digital Cage of a Cursed Generation’, dedicated to the generation of the band itself who grew up in the early 90’s and saw the destruction of the economical crisis. It features songs like ‘Zak’ named after Zak Kostopoulus who was a victim of law and violence. The song is about every victim of this. It’s not only criticizing the law system and how corrupt it is, but as well as the people around them and us as a community not stepping in and being there for them. The only thing that can be done now is keeping them in our thoughts and hearts, remembering their lives and standing up for their memories. It plays well into emotions especially If you or anyone close to you has ever struggled with injustice because of their race/sexuality/gender identity or beliefs.
The album talks about multiple heavy subjects like the destruction of our planet in ‘The Guillotine’. It emphasizes that the people have to come together and work it out before anything will change and the world can start to heal. With songs like ‘The Man Sitting Next Door’, the band talks about how easy it can be to feel alone in big cities and how even though you’ve got people around you, you may not even know them or anything but their names. Despite the lyrics which are full of emotion and meaning, the beats and melodies make it feel happier than it is. It’s catchy and therefore puts you in a mood to dance. Like mentioned, the band’s sound had euphoria-dipped synth lines and, these are especially heard in the first couple of songs, which somewhat looks back to the 80’s synthesizer sound used. Despite this, each track has its own ambience and feeling. It makes you question your own life and environment and whether there are things you can do yourself to make a change for the better, which was essentially intended as it was meant to alter your view on the world. Release Date: November 03, 2020 Tracklisting: 01. Turn it on 02. Zak 03. Put Your Hands Down 04. The Consequence of Dream 05. The Weekend 06. The Guillotine 07. Life 08. Drive Me Home 09. The Man Sitting Right Next Door Personal favorite tracks: Drive Me Home, Zak, The Weekend Connect with SKAGS on their social platforms: Bandcamp: https://skagsband.bandcamp.com/ Facebook: https://www.facebook.com/skagstheband/ Instagram: https://www.instagram.com/skagsband/ YouTube: https://www.youtube.com/channel/UCSVVyDActHbPopmdhHeXvlw Spotify: https://open.spotify.com/artist/3C0AhBs8F5zmWqpbSgi8ux?si=JRHNUQQPQ5Su8v_k36WJGw Review by: Anissa Steijns Artwork by: Spyretta Driva  Toronto rock artist Reid Henry recently released “The Blind”, his second single since his debut as a solo artist. Through this anthemic new track, Henry expresses his thoughts on the divisiveness of the political climate that was present throughout 2020. Amidst the turmoil of the Covid-19 pandemic, various political and social issues turned society on its head. While it united countless people in their fight for a better society, it also brought out the ugliness that lies within others.
People on either side of the political spectrum are so set in their perspectives, beliefs and politics, that in defending what they believe, they alienate themselves from those who disagree with them. Rather than attempt to have a civil conversation to try to understand views aside from their own, people try so hard to prove that their way of thinking is superior. Henry points out that regardless of what side they are on, people are blindly fighting for their respective causes, without even really questioning the bigger issues that seek to divide them from each other. This 90s rock styled track, reminiscent of bands like Breaking Benjamin and Three Days Grace, offers a space for those who haven’t been swept up in the divisive culture of politics, to enjoy the music while also reflecting on how people have been torn apart by their differing views. Listen to the song here! Be sure to check out Reid Henry on his socials to see what he’s up to! Website: https://shop.spreadshirt.com/reidhenry Facebook: https://www.facebook.com/ReidDavidHenry Instagram: https://www.instagram.com/reiddavidhenry/ Twitter: https://twitter.com/MDDReid Review by: Cristina Herrera  Florida-based metalcore band Wage War recently celebrated the 5th anniversary of their debut album Blueprints. Their newly released single “Surrounded” was initially an unreleased track from the aforementioned album, however it ultimately was excluded. What was once unable to find its place on the album now proves to be a track that fully encompasses the essence of Wage War, from the duality of their gritty and clean vocals to the headbanging breakdowns that they are known for.
The narrator begins by stating that they are unlike those that allow other people’s opinions to change them, making them unrecognizable to themselves. They question why people allow their lives to be influenced by the decisions and ideas of others, to the point that they become surrounded by things that hold them back. Again, reiterating that they are unlike those that follow a crowd, the narrator reminds the listener that it’s not too late to find a path of their own, encouraging them to look toward the future and the possibilities it holds. The accompanying music video takes fans down memory lane with footage of live performances during previous tours and their travels around the world during the Blueprints era. The intro to the video includes a short description of the video, thanking their fans for helping the album become the success that it is today: “5 years ago we put out an album, aptly titled ‘Blueprints’, that would be the foundation of our career as Wage War. The following song is unreleased from that album, and the footage here consists of personal videos from the 212 shows in 13 countries of the Blueprints era. We appreciate every person who has supported us from the beginning with our release of Blueprints and continue to join us on this ride.” Watch the video here! Be sure to check out Wage War on their socials to see what they’re up to! Website: http://wagewarband.com/ Facebook: https://www.facebook.com/wagewar Instagram: https://www.instagram.com/wagewar/ Twitter: https://twitter.com/wagewar Review by: Cristina Herrera  Ohio based alternative pop-punk band Better Anyway recently released their latest EP Low, but Looking Up. The eight months spent working on the EP allowed the band to learn new aspects of the recording and production process firsthand. In addition to this, they also had the opportunity to collaborate with Tyler Albertson, vocalist and bassist in Homesafe, and Kramer Welker, vocalist and guitarist in You vs Yesterday, both of whom have inspired their band. As the title suggests, the theme of the EP shares the relatable place of feeling low, but striving toward getting into a better state of mind. With a total of six tracks, the listener is immersed into this emotional journey of what it feels like to be in that position and shows empathy as they navigate the process of figuring out how to overcome it.
Track list:
The mixture of emotions in “Stay Away” sets the tone for the rest of the EP, whether it’s feeling the pressure to change and how it weighs you down, or recognizing that you need to work on yourself and create the space to do so, even if it’s uncomfortable. “Afterthought” feels more introspective, as though you’re looking inward and gathering your thoughts trying to pinpoint when exactly things went wrong, leaving you stuck in a place where you can’t help but dwell on the past in such a way that you struggle with moving forward. “I Can’t Say This to Your Face” slows things down for a moment. As the singer begins listing all of the things that they couldn’t say to someone, it leads the listener to reflect on things they might have wanted to say to someone in their life and struggling with the weight of the things that were left unsaid. Ultimately, sometimes you have to let people go if you really want them to be happy, even if it’s at your own expense. The song starts out soft and slow, gradually building up until there’s less than a minute left and all those feelings explode into a mix of emotions that make you want to cry and scream along. This track was my personal favorite. “Find You There” felt like a sincere apology given to make up for the person they used to be and acknowledge that they need to make some changes. “Stargazer” was more of an acoustic track, talking about missing someone before they’re gone. You can never really be ready to lose someone you love, but when they eventually have to leave, you’ll have memories of them to hold on to. “Bury Me” is the closing track on the EP and I feel like it almost brings things full circle. Not to come off as overly pessimistic, but throughout life, there’s bound to be moments or periods of time where you feel low, emotionally and mentally. Realistically speaking, these moments are inevitable, unfortunately. However, knowing that growth and progress are attainable are the things that make the future seem a bit brighter. Overall, the honesty and relatability of these tracks is something I think anyone can relate to. Personally, I really enjoy music that I can have an emotional connection with. Some of my favorite songs are the ones that make me feel understood; even if they make me sad, it’s comforting to know that other people can relate. Low, but Looking Up offers that understanding and reminds us that getting to a better mental and emotional state may not be easy, but it’s possible. Prior to listening to this EP, I hadn’t heard of this band, but I can confidently say that Better Anyway quickly became one of my favorite musical discoveries of 2020 and I’m excited for what their future holds. If they ever come out to southern California, I’ll definitely head to a show, but until then, I’ll be streaming the EP. Listen to Low, but Looking Up here! Be sure to check out Better Anyway on their socials to see what they’re up to! Facebook: https://www.facebook.com/betteranywayoh/ Instagram: https://www.instagram.com/betteranywayoh/ Twitter: https://twitter.com/betteranywayoh Review by: Cristina Herrera  Christmas magic is in the air with the release of MoAnanda’s new holiday single “Acoustmas (Oh My Dear).” The power duo consists of two halves: singer-songwriter Moana and guitarist/bassist/producer/mixing-engineer Ananda. This acoustic composition beautifully captivates with its sensitive and direct approach; painting a vivid picture with relevant lyrics that narrate the brutal hardships everyone is enduring in 2020 — all of the personal losses and periods of isolation as we are still residing in lockdown, cut off from the rest of society and facing uncertain circumstances that we’ve never faced before:
“I wanna sit by the fireplace, laughing with you. // But this postcard is painted in blue.” The couple’s soft voices intertwine in flawless synchronization amongst the acoustic waves, transporting listeners with its pure ambience. The new song is accompanied by a festive music video that delicately tugs at the heartstrings, incorporating scenes of holiday traditions: decorating the Christmas tree, baking sweet treats, unwrapping gifts, and spending quality time with loved ones. The group even included footage from participants who wanted to share their memories to help commemorate the special season. This year’s holiday celebrations appear vastly different, delivering an impromptu virtual Christmas experience for many. With “Acoustmas (Oh My Dear),” MoAnanda spread love and joy in a time of adversity with this shining holiday gem — the heartwarming song and visuals perfectly encapsulate every emotion of this socially distanced Christmas, capturing the holiday spirit in this challenging year. “Oh my dear. The city turns red and green. But I’m stuck here, Blowing kisses & love at a screen.” Connect with MoAnanda on their social platforms: Facebook: https://www.facebook.com/moanandamusic/ Instagram: https://instagram.com/moanandamusic Twitter: https://twitter.com/MoAnandaMusic Review by: Bri Rodriguez  Lisa Danaë has released her new single “STARLET,” which highlights her personal journey while forging her own path in the music industry. She sets herself apart from other artists within the pop realm, as she’s established her own unique style, creating dark pop compositions that shine brightly with words of hope and encouragement. This track features an infectious chorus and inspiring message of perseverance. The song describes the challenges that Danaë has experienced along the way, facing the pressure to follow the masses (“I wanted to be just like you. / Always so glamorous, posing for the cameras.”) and receiving criticism and negativity from cynics (“They say I’ll never make it, like do I have a Plan B? / ‘Cause it sounds kinda risky, like a pop princess pipe dream.”) who aim to bring her down and dissuade her from pursuing her passion. Despite these opposing forces, the dark pop princess has learned to embrace her identity and stand resilient in the face of adversity. Empowered by her struggles, Danaë seeks to connect with her fans, lift them up in their difficult times, and let them know that they are not alone. The message to take away from “STARLET” rings clear: “Be who you want to be, and ignore the ones who doubt your ability to succeed in life. You are in control and you will make it. Become your own starlet.” Through her artistry, Danaë exhibits her strength with her honest voice, independence, and passion for her craft. “STARLET” is a gem of an anthem, showcasing Danaë’s fierce spirit of determination and starlit power as she works hard to turn her dreams into a reality.
“I’ve learned to let the hurt melt away. Brush off every word that they say. / ‘Cause I’m a starlet, Baby that’s me. Shining bright for the world to see / I’m a starlet. Feelin’ so free, When I’m putting on a show.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Photo credit: Josh Suguitan  Pop artist Lisa Danaë is back with a new empowering single “Weigh Me Down.” The song was inspired by the phrase “it is what it is” — an exhausted statement that steadily traveled amongst conversations between friends and family in quarantine. Throughout lockdown, this sentiment was continually expressed in regards to the circumstances surrounding the coronavirus pandemic and its dire effects. In this period of isolation, many find themselves struggling more than ever with mental health, depression, and anxiety.
Danaë drew from her personal experience and the challenges she has faced as an independent Filipino-American female artist. The piano line she created in the composition represents the threat of a ticking time bomb that is waiting in the stillness - ready to detonate once you’re in the negative state where you find yourself heavily dwelling upon something, especially that which is out of your control. This upbeat, infectious track challenges insecurity and offers an optimistic perspective through a brighter lens — the narrative expresses the constant struggle of comparing yourself to others and navigating the harsh conditions on the battleground of social media: “You’re a hit. / You didn’t mean to brag. / But I want what you have, I admit.” Lisa exhibits vulnerability, while intricately blending positive lyrics with darker tones and melodies. A foundation of electronic synths layer around Lisa’s sugary vocals, as she sings with honesty and self-awareness, “I won’t let these thoughts own me. / I won’t blame someone else. / I’m the one that controls how I’m feeling myself.” It’s so easy to fall into the trap of social media, where everything is painted with vibrant hues, leading you to conclude that everything is “sunshine and rainbows.” You steadily find yourself comparing your journey to others in this digital era that’s so transfixed with the number of likes, views, streams, and followers. Profile feeds bombard you with picture perfect imagery; everything’s “perfect” in this person’s life — just scroll through the sea of photos and look at all of the bright, smiling faces — leaving you to make the assumption that they’ve made it, that they ‘have it all together’ and are living the dream.. However, in reality, what you’re actually viewing is a distorted image that’s set up to trick you with its grand illusions of smoke and mirrors. You’re only seeing what people choose to share across their social platforms — a very small fraction of their life that they decide to post publicly. You’re not being exposed to the hard times and intense emotions, filled with pain, heartache, tears, and self-doubt. The life of an artist is a tumultuous path, with many pressures weighing on your shoulders — the fear of failure, the struggle to achieve some defined level of success, and that deprecating feeling of being placed under a microscope for others to closely evaluate and dissect — it severely drains your life force and the lingering question if all of this effort is a waste of time. The truth is, though, that it’s worth it. It is worth every obstacle and every ounce of suffering when creativity is the passion that wholly consumes you and drives you to wake up every day and pursue your craft. Your art is worth the fight and the battle scars that accompany it. With the release of her single, Lisa shines an illuminating light on these issues and strongly declares that she will no longer let this internal conflict “Weigh Me Down.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Image by: Chris Rodarte Artwork by: Tribe Unltd  Cleveland indie band shelter pup. are back with a new single “Ghosts in the Graveyard,” which was recently released on October 2nd. This track is about acceptance of our mortality. The penned lyrics are contemplative in nature, focusing on the subject of death and dying. Somber and melancholic, the song also instills a sense of reminiscing on the past. The song title is a reference to an old childhood game, similar to hide-and-seek. The difference is that it’s played at nighttime.
“Ghosts in the Graveyard” matches in tone with the band’s previous single (It’s) Your Funeral” - - a calmly serene, emo sound, yet heavy lyricism. The two tracks are finely polished works that follow a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Frontman Trevor Stout has been releasing music with shelter pup. since early 2018. The band first began as a solo project, until later solidifying the lineup with a drummer and bassist. Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” Stout has plans to release a new EP in 2021. There has been a cancellation of a few shows, due to the coronavirus pandemic. But it’s been a blessing in disguise, as the free time has enabled him to have a chance to slow down, write more music, refine material, and determine his next direction. The release of “Ghosts in the Graveyard” is accompanied by a lyric video that contains stunning imagery of nature. The footage opens with a befitting scene of a graveyard, and then cuts throughout to visuals that correspond with the song lyrics. One particular highlight of the track is the dynamic vocal performance that showcases Stout’s range. “Ghosts in the Graveyard” strikes with fierce, poetic lyricism, as shelter pup. sets themselves apart with an honest voice and sincere artistry. “I’ll be a ghost before they collect my soul. Familiarize myself with my friends out in the catacombs.” Check out the new shelter pup. single “Ghosts in the Graveyard” here: https://www.youtube.com/watch?v=SK8MTcOGR-c Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM  Throughout high school, Trevor Stout would frequent open mic nights, performing cover songs with his acoustic guitar in hand. Fast forward a couple of years, Stout created ‘shelter pup.’ He would continue to visit open mics where he would play a collection of songs he had written. These compositions would later form his first EP. Some of the band’s musical influences include Beck, Led Zeppelin, and Dance Gavin Dance. Sonically, the project draws from these artists, releasing material that intricately combines indie with emo force.
The Cleveland band’s previous works include a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” shelter pup. recently released a new single entitled “(It’s) Your Funeral.” Inspired by personal experiences, Stout wrote this song about idealized isolation. In one aspect, it’s a letter to his past self who once thought that he was better off alone, that he didn’t need anyone, and could accomplish everything on his own. However, this is flawed reasoning because there is a certain line that can potentially be crossed, when being alone can lead to something far more dire; this solitude becomes self-destructive behavior and socially cripples with its negative effects, significantly impacting one’s quality of life. The single’s music video strongly correlates with the message of the song. The visuals present a unique concept as the footage focuses on a central storyline surrounding its main character, Henri the Skeleton. Viewers are exposed to a solitary “day in the life” as Henri goes throughout the motions of his life. The video opens with a scene of Henri spinning in a black spiral abyss. Footage closely follows his course of actions - as he completes his morning routine in front of the bathroom mirror, sways in a hammock, and sits on a platform while fishing. Later, he is seen riding a carousel, swinging on a swing, and standing across a boardwalk platform, as he overlooks the ocean at the barricade. While these activities unfold, cords envelop all around him, tying him down like the strings of a puppet figure, entrapping him. Finally succumbing to defeat, Henri lays in an abysmal state of paralyzing loneliness and distress. This simple, yet effective concept showcases how Henri led an empty existence as the walking dead, and powerfully conveys the eventual outcome that can transpire when you completely cut yourself off from everyone and everything. The music of shelter pup. is a breath of fresh air - insightful and thought-provoking, it is evident that every facet of this project is carefully crafted and executed with such fine precision and honesty. Check out the new shelter pup. video for “(It’s) Your Funeral” here: https://www.youtube.com/watch?v=QWIcJWwjbVY Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM Interview By: Bri Rodriguez Photo By: Manda Specht  Coasting On Potential is a rock/metalcore band based out of Endwell, New York. Formed in 2014, the lineup consists of vocalist Justin DiTomasso, guitarist Nate Pecson, lead guitarist Matt Maione, bassist Jon Shackelton, and drummer Tom Towner. The quintet’s debut EP “Onwards and Upwards” was released in 2015, followed by the subsequent title “Surrounded By Myself” in 2017. The band has taken some time off to focus on their sound and direction. But now the wait is finally over, as Coasting On Potential is back on the scene with their new single “In Misery” and plans to release new material for the first time in three years. These compositions will speak for themselves as they will provide some insight regarding what the members have been going through during their time away. “In Misery” is extremely personal as it holds significant meaning to the band’s frontman. Lead singer Justin DiTomasso states, “After losing both of my parents in the time span of one year, I felt like I was alone and had no guidance or direction in life anymore. ‘In Misery’ is the depiction of the twisted way my mind felt in the aftermath of everything. It talks about how I struggled to move on, and how it made me question the point of life, or the point in anything for that matter.” “I’ve been waiting for so long For faith to guide me through this sad song, Can’t find my way back to the water Find my way into your hands These days I only sit and wait In misery.” “In Misery” is a heavy composition that incorporates both metalcore screams and clean vocals, accompanied by melodic changes and intense instrumentals. This effective method manages to perfectly encapsulate the whirlwind of emotions associated with suffering and mental distress. The hard-hitting track triggers the mixed feelings that stem from loss, grief, and vulnerability. Anguish and desperation overflow throughout the lyrics and DiTomasso channels his pain to give an emotional vocal delivery. The gut-wrenching chorus twists the blade further, as listeners can relate to the feeling of going through the motions and the sense of being lost in a haze. “I serenade, This empty space. Knowing I’ll never scream enough To fill the void. I bend and break, Cause since that day, I felt a pain that won’t decay Or fade away.” The corresponding music video opens with a quote: “There is no greater sorrow than to recall In Misery the time when we were happy.” Throughout the video, the band presents a compelling and emotionally driven performance. The grungy, raw visuals accurately depict the true struggles of a man shrinking himself into a hopelessly stagnant existence, unable to process his pain. In his distress, he turns to several coping mechanisms - in the form of alcohol, pills, and cigarettes - and does everything he can to hold on to the frayed thread that is threatening to break away. Watch the video here: https://youtu.be/L-7_nd5LoVQ With the release of “In Misery”, the band strives to communicate with their listeners and relay an urgent message that needs to be heard: Despite whatever you may be currently feeling, please know that you are not alone. You are not fighting in isolation, as there are others standing on the battleground beside you.  “In Misery” BTS Shot // Image Credit: Karalyn Hope Connect with Coasting On Potential on their social platforms:
Bandcamp: https://coastingonpotential.bandcamp.com/ Facebook: https://www.facebook.com/coastingonpotential Instagram: https://www.instagram.com/coastingonpotential/ Twitter: https://twitter.com/coastingband Review by: Bri Rodriguez Image by: Karalyn Hope  Boston-based artist Abigail Ory classifies her music as “weird pop.” Most of her material was written years ago and then later revised with the aid of Ory’s mentor and revered songwriter, Donna Lewis. Abigail writes her own material and fulfills the role as director for her music videos. The singer/songwriter creates personal works that are full of intention and honesty. Her musical influences include MARINA, Violent Femmes, and Grimes. This fact is evident as soon as her songs start playing. Her new song “Waves” was inspired by the book “The Invention of Morel” by author Adolfo Bioy Casares. She initially began composing the track for a dance production in her sophomore year of high school. The pop power ballad spins a message of change, acceptance, and loss that surrounds our relationships. Abigail’s passion shines brightly in “Waves” as the track intertwines her poetic lyrics, soulful vocals, and authentic spirit.
“Feel the wind in my hair and the smoke at my fingertips. / Breathing just to get by is no real way to live, What if when the daybreak comes, / She fades away with the rising sun? Oh, why did I fall in love?” “Feel the salt on my skin and the water starts to drag me in. / This ocean of mine is a treacherous place to swim. And as it starts to reach high tide, / I hope you start to feel alive. Oh, why did I fall in love?” “Waves roll on to the waking light, Stars fade back into the night. / It is there in the morning, I can finally hear you sing.” Connect with Abigail Ory on her social platforms: Website: https://www.ory.info/ Facebook: https://www.facebook.com/abigailoryofficial/ Instagram: https://www.instagram.com/abigailory/ Twitter: https://twitter.com/abigailory Review by: Bri Rodriguez  New Jersey-based pop rock band The Ones You Forgot formed in 2014. Since their inception, the quintet has opened for several national touring acts, including Boys Like Girls, Never Shout Never, Emarosa, and Four Year Strong. The band lineup consists of Jenna Bruno (vocals), Matthew Thompson (guitar), Ferdinand Benauro (guitar), Justin Rodman (drums), and Lance Nelson (bass). Their discography includes a 2015 debut EP entitled “Peaks & Valleys”, sophomore EP “Too Afraid To Say”, and 2016 single “Make It Out Alive.” The members cite their musical influences, which include artists We Are The In Crowd, All Time Low, and State Champs. The group was selected to perform at the 25th anniversary of the Vans Warped Tour in Summer 2019. Since their Warped appearance, the band has focused on building their brand and writing new material, while still maintaining an active social media presence through Twitch and regular online streaming. The Ones You Forgot have returned with their first single in two years, “Something For Me.” This bouncy track showcases the band’s evolution with a new era of self-love, featuring insightful lyrics, an infectious hook, and earnest vocal melodies. The song’s theme is symbolized by the single artwork that cleverly utilizes daisy illustrations, a flower that represents purity and new beginnings. Sonically embracing pop-punk with emo elements, The Ones You Forgot have released a powerhouse track that embodies a vibrant message of strength and empowerment.
“Waiting for you to say you love me, For who I am, it’s crazy / I wish I could see, That I just deserve better and that this won’t last forever / Why am I waiting, I know there’s something for me.” “Now it’s time to move along, Take care of number one / And I will be just fine, I’ve learned to cut through the noise / I am deserving of joy, Even at my lowest.” Connect with The Ones You Forgot on their social platforms: Website: https://www.theonesyouforgot.com/ Facebook: https://www.facebook.com/theonesyouforgot Instagram: https://www.instagram.com/theonesyouforgot/ Twitter: https://twitter.com/toyfmusic Review by: Bri Rodriguez |