 Zenia is an alternative pop artist and songwriter from Bellevue, now living in Los Angeles. She released her first single of 2021 last February. The song is called ‘Favorite Song’ and it’s about being manipulated in a relationship and it being a never-ending loop. The song has various influences from many different artists such as Maty Noyes, Billie Eilish, and XYLO.
Zenia reveals that she loves writing songs that convey a feeling, a purpose or activism. “I wrote “favorite song” because of many experiences I’ve had in human bonds, romantic as well as friendships and relatives, where I got caught in the performance of fabrications they were putting on. I thought I was their “favorite”, a priority, or of some importance at all, but in truth was just being led on as though I were. Eventually, as easily as hello, came goodbye, as easily as goodbye, came hello. It was never ending, yet consistently intense. I came to realize they never had the capacity for compassion or respect, for themselves and least of all for me. The severity of that level of manipulation was shattering, to believe you’re cared for only to realize it was a deception based on their need to be in control” Zenia says. The experiences she talks about are apparent in the song. The song can be relatable to many people in many different situations or relations. “If I’m right, no I’m still wrong” is a phrase that would speak to many people as most have experienced it at least once in their lives, someone would never admit that they’re wrong or if they’ve made mistakes even when they themselves are aware that it’s not right. The song itself sounds calm and mellow, with Zenia’s sultry vocals yet there is a synth in there with a darker sound which fits everything perfectly. It gives the feeling of the actual meaning. “Rhythm in my heart, Replay, I fall apart, Listen to me, Before I’m just a memory, / We keep on with this echo, Distortion we can’t let go, So here we are again and again, ” The lyrics portray that even though she knows that the situation she’s in doesn’t benefit her in any way and could even be damaging, she doesn’t want to let go or isn’t ready yet to do so. It’s a heartfelt song and even without the lyrics, you can easily feel the pain within the melody. Zenia is a wonderful artist with an amazing set of vocals who is ready to create more music to inspire others. She’s planning on releasing a series of singles over the next year, so be sure to keep up with her. Stream the single here: Soundcloud: https://soundcloud.com/zeniamusic/favorite-song-feb1421-zenia/s-YtsSmZP3Xvg Apple music: https://music.apple.com/il/album/favorite-song-single/1553673854 Spotify: https://open.spotify.com/track/0ZgQmStPBgtkrGdDrqN6l4 Keep up with Zenia on Instagram: https://www.instagram.com/zeniasmile/ Review by Anissa Steijns
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 New York based artist CJ Arey is the creator behind NO SHADE. What started out as a way to get through a breakup transformed into something bigger than he could have imagined. With his music, he goes against the notion that artists should stick within a particular genre by incorporating elements of various styles of rap, hip hop and rock, drawing from influences like Machine Gun Kelly, Pierce the Veil, Issues and nothing, nowhere. His debut EP “Broken Down” blends these musical styles in a way that draws in a wider audience, offering a space for people to freely connect with their feelings on a deeper level.
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One of the most notable things found throughout the EP was his conscious effort to make each track unique to itself. Rather than stick to one genre or style, he manages to flow from hip hop to rock and then to rap, mixing these styles in ways that allow the songs to build off each other. “Comeback” starts the EP with a heavy guitar riff and incorporates other elements from various styles of rock music. “Alone” and “Fading Away” both feature hip hop styled beats layered with heavy guitar lines that make you want to dance, while “Fading Away” and “Suffice” give off more mosh pit, headbanging styled vibes. My personal favorite was “Stay Too Long”. If I were to choose one song from the EP to represent the piece as a whole, it would be this song because it embodies the core styles and elements of NO SHADE. Combined with the deep cutting, relatable lyrics that resonate within the listener, this is where the essence of this artist can be found; his vulnerability and willingness to open up about his feelings are comforting because I think it reminds us to allow ourselves to fully experience and process what we’re feeling. Like mentioned before, “Suffice” is the kind of song I imagine would open up a mosh pit at a show, so people can unleash their emotions while singing and headbanging along. When I listened to “Go” for the first time, I was reminded of the early years of bands like Bring Me The Horizon and Linkin Park, with their alternative and nu metal rock styles. Overall, the contrasting musical styles throughout each track were able to come together to bring the EP to a close. As a fan of the artists who influenced his music, I was curious to see what his music would be like and it instantly drew me in. NO SHADE brought together the best musical elements from various genres and turned them into a unique sound of his own. The honesty and transparency of his lyrics allow him to create meaningful connections through his music. For fans of rock, hip-hop and rap alike, NO SHADE offers not only the perfect mix of those musical styles, but a reminder that sometimes we need to allow ourselves to open up to our own feelings in order to move forward. Listen to “Broken Down” here! Be sure to check out NO SHADE on his socials to see what he’s up to! Instagram: https://www.instagram.com/iamnoshade/ Twitter: https://twitter.com/iamnoshade Review by: Cristina Herrera  Keep an eye out for the versatile force that is Jen Janet. She’s already accomplished so much throughout her experience in the entertainment industry and has developed her artistry; utilizing her skills as a photographer, makeup artist, model, videographer, and musician. Jen has stepped up to fulfill her role as frontwoman for multiple rock bands and as a solo artist.
At the start of the new year, Jen released the alluring “Shadows,” debuting her first single of 2021. “Headache” dropped in February, marking her second reveal of new material. Jen is now back with her latest single “My Garden.” She shared the details that it has been a work in progress for quite some time now. She started writing the song a while ago, but didn’t finish it until more recently. About the track, Jen explains, “I was inspired by a large mix of emotions, but the main point of the song is the feeling of suffocation and being overwhelmed.” Through its garden imagery, the narrative explores those intense sentiments. Jen states, “It’s the idea that someone might want you to grow, and they push you, and this can end up pushing you away even if they didn’t mean to.” The metaphor symbolizes the growth that takes place; you can water a flower and give it so much love — but there is a risk involved as it’s possible to over-water it, resulting in its death. It’s possible to give too much. “My Garden” introduces a heavier fusion of haunting magnetism and dark ambience. Jen’s opening vocals pierce the silent void and eerily linger within the atmosphere, before the percussion suddenly kicks in, accompanied by heavy guitars, electronic instrumentals, and an intense choral backing arrangement. “I got what I want from you, and you got what you want from me. I got what I want from you, now you can be on your way.” Introspective lyrics spin an unfortunate tale of a decaying love; initially this bond was strong and vibrant, it started off as a nourishing relationship (“Entwined in your vines. Plant the seed.. And then I feel you again. Planting roots in my head. And there’s love in my garden again.”) However, too much of a good thing can present dire consequences (“And when the rain floods my garden. Too much of a flourishing. Drowning. Too much life in my garden.”) — breaking down the healthy components that kept this greenery alive, leading to the harsh conditions of decomposition until its eventual demise. The single’s music video beautifully correlates with the song. Gothic visuals are set in an enthralling rose garden, with scenes that showcase different variations of Jen; she is adorned in black attire in one frame, before the sequence shifts to her wandering the garden in a white dress with an intricate black pattern. This changing scenery closely examines the nature of both elements — the light and dark — ultimately revealing the underlying toxicity of the once powerful connection. Jen Janet has a fierce, compelling presence that brilliantly shines in her art. She crafts her songs with authentic lyricism that bleeds out pure emotion and honesty. Be sure to follow Jen’s journey as she will be releasing new work in the future. Stream the single now, and watch the captivating music video for “My Garden” below. https://www.youtube.com/watch?v=JHgcLf9KLQM&feature=youtu.be Connect with Jen Janet on her socials: Website: https://jenjanet.com/ Instagram: https://www.instagram.com/jenjanetmusic/ Twitter: https://twitter.com/jenjanetmusic Facebook: https://www.facebook.com/jenjanetmusic YouTube: https://www.youtube.com/c/jenjanet Bandcamp: https://jenjanetmusic.bandcamp.com/ Review by: Bri Rodriguez  Candice Lee is a down to earth, authentic and inspiring powerhouse with a wholesome spirit. Her music displays a pop/rock edge with a hint of EDM. She is a multi-talented singer-songwriter, guitarist, harpist, pianist, bassist, and ukulele player. At the end of January, she has released her new single ‘How We Used To Be’
The melody of the song feels calm all throughout, it has a soothing sound when you look at the music without the vocals. It sounds like something you’d sway to while closing your eyes. The combination of the guitar and harp gives it the calming feeling, carrying this out even when the song starts to get rougher to get the message across. Even without the lyrics the general message of the song is clear. The calmness is bittersweet when you start to look at the lyrics. Candice Lee has explained how the song shifts from anxious feelings to images of hope to remind us that, while we face common struggles, challenges and emotions, we will come to a brighter time. She’s said it was inspired by the pandemic, all the longing feelings of what was. “The world took a pause And has shown all its flaws Chapter in history” However, sometimes people are in need of stability in different situations and this song will cover all of it. While it’s been inspired by the pandemic, it isn’t limited to it. Sometimes it’s about needing someone who is no longer in your life or the need for a new person or situation to help you. ‘How We Used To Be’ will give you that exact feeling. With the amazing and powerful vocals that Candice Lee provides, this can become the anthem you might need in times like these. If you’d ask me, I’d say it’s an amazing song to loudly sing along to whenever you feel like it. “All I'm saying, is I'm praying, that I'll wake up from this nightmare Can't escape this, I'm so anxious, mentally unprepared Pull me closer, when it's over, how I'm craving to feel you on my skin Take me back to how we used to live” Listen to ‘How We Used To’ here: Spotify: https://open.spotify.com/album/4k7CN7AnbV199daiFAaq14 Apple Music: https://music.apple.com/us/album/how-we-used-to-single/1548239286 Connect with Candice Lee on her socials: Twitter: https://twitter.com/candiceleemusic Facebook: https://www.facebook.com/candiceleemusic Instagram: https://www.instagram.com/candiceleemusic/ YouTube: https://www.youtube.com/channel/UC6ePCmYGe9fI1F3pngxoabA Website: https://www.candiceleemusic.com Review by: Anissa Steijns  Latin-pop artist JChris has brought out his new single ‘Hasta Abajo’. In our interview with him, he said that he and his producer wanted to make a contrast, to make something sexy and edgy. As soon as the instrumentals can be heard in the beginning of the song, this becomes very apparent. The intro sounds smooth and it gives a nice introduction to the first words sung. Seeing as the tone of the voice seems just as silky, it gives it a very pleasant feeling to listen to. It reminds me of the songs played at clubs and therefore it gives me the urge to start dancing to it like I’m at a party or club. As soon as the chorus hits, the feeling shifts into even more of a dance song. The voice turns from silky smooth to a deeper tone which only helps the bass and the beat.
The contrast that he spoke about can easily be heard when listening to his other songs. While the other songs are catchy too, ‘Hasta Abajo’ seems to stick by me more since it’s a very captivating and appealing melody. Sounds like these get used often but that doesn’t make it any less good. JChris and his producer were able to implement this rather well into the song and the overall vibe of it. Furthermore, the concept of the song and the vibe that comes with it was carried into the music video to display the general feel of it. With this song you can let yourself feel good for 3 minutes and get lost in it without worrying about everything else around it. I wouldn’t hesitate to add it to my playlist. Watch the music video for ‘Hasta Abajo’ here: https://www.youtube.com/watch?v=tdGV5_gjShs Stream ‘Hasta Abajo’ on Spotify here; https://open.spotify.com/track/0YShySHLB4KMDWTG5BfCkb?si=Gxc1RfCCSUCpwHLIyTcSIA Apple Music: https://music.apple.com/us/album/hasta-abajo-single/1545735500 Connect with JChris; Website: https://jchrisofficial.com Facebook: https://www.facebook.com/jchrismusic Twitter: https://twitter.com/jchrismusic Instagram: https://www.instagram.com/jchris_music/ YouTube: https://www.youtube.com/channel/UCj6hNYURLahtlYVW3KYP-mQ Review by: Anissa Steijns  SKAGS area Greek band described like no other. They bring theatrical and atmospheric vocals to progressive guitar-fueled soundscapes and euphoria-dripped synth lines. Their sound is described as ‘Alternative Electronic Psychedelic Rock’ and while this is a very specific genre, it’s the best way to describe it. On November 5, 2020, SKAGS released their first studio album ‘Digital Cage of a Cursed Generation’, dedicated to the generation of the band itself who grew up in the early 90’s and saw the destruction of the economical crisis. It features songs like ‘Zak’ named after Zak Kostopoulus who was a victim of law and violence. The song is about every victim of this. It’s not only criticizing the law system and how corrupt it is, but as well as the people around them and us as a community not stepping in and being there for them. The only thing that can be done now is keeping them in our thoughts and hearts, remembering their lives and standing up for their memories. It plays well into emotions especially If you or anyone close to you has ever struggled with injustice because of their race/sexuality/gender identity or beliefs.
The album talks about multiple heavy subjects like the destruction of our planet in ‘The Guillotine’. It emphasizes that the people have to come together and work it out before anything will change and the world can start to heal. With songs like ‘The Man Sitting Next Door’, the band talks about how easy it can be to feel alone in big cities and how even though you’ve got people around you, you may not even know them or anything but their names. Despite the lyrics which are full of emotion and meaning, the beats and melodies make it feel happier than it is. It’s catchy and therefore puts you in a mood to dance. Like mentioned, the band’s sound had euphoria-dipped synth lines and, these are especially heard in the first couple of songs, which somewhat looks back to the 80’s synthesizer sound used. Despite this, each track has its own ambience and feeling. It makes you question your own life and environment and whether there are things you can do yourself to make a change for the better, which was essentially intended as it was meant to alter your view on the world. Release Date: November 03, 2020 Tracklisting: 01. Turn it on 02. Zak 03. Put Your Hands Down 04. The Consequence of Dream 05. The Weekend 06. The Guillotine 07. Life 08. Drive Me Home 09. The Man Sitting Right Next Door Personal favorite tracks: Drive Me Home, Zak, The Weekend Connect with SKAGS on their social platforms: Bandcamp: https://skagsband.bandcamp.com/ Facebook: https://www.facebook.com/skagstheband/ Instagram: https://www.instagram.com/skagsband/ YouTube: https://www.youtube.com/channel/UCSVVyDActHbPopmdhHeXvlw Spotify: https://open.spotify.com/artist/3C0AhBs8F5zmWqpbSgi8ux?si=JRHNUQQPQ5Su8v_k36WJGw Review by: Anissa Steijns Artwork by: Spyretta Driva  Toronto rock artist Reid Henry recently released “The Blind”, his second single since his debut as a solo artist. Through this anthemic new track, Henry expresses his thoughts on the divisiveness of the political climate that was present throughout 2020. Amidst the turmoil of the Covid-19 pandemic, various political and social issues turned society on its head. While it united countless people in their fight for a better society, it also brought out the ugliness that lies within others.
People on either side of the political spectrum are so set in their perspectives, beliefs and politics, that in defending what they believe, they alienate themselves from those who disagree with them. Rather than attempt to have a civil conversation to try to understand views aside from their own, people try so hard to prove that their way of thinking is superior. Henry points out that regardless of what side they are on, people are blindly fighting for their respective causes, without even really questioning the bigger issues that seek to divide them from each other. This 90s rock styled track, reminiscent of bands like Breaking Benjamin and Three Days Grace, offers a space for those who haven’t been swept up in the divisive culture of politics, to enjoy the music while also reflecting on how people have been torn apart by their differing views. Listen to the song here! Be sure to check out Reid Henry on his socials to see what he’s up to! Website: https://shop.spreadshirt.com/reidhenry Facebook: https://www.facebook.com/ReidDavidHenry Instagram: https://www.instagram.com/reiddavidhenry/ Twitter: https://twitter.com/MDDReid Review by: Cristina Herrera  Florida-based metalcore band Wage War recently celebrated the 5th anniversary of their debut album Blueprints. Their newly released single “Surrounded” was initially an unreleased track from the aforementioned album, however it ultimately was excluded. What was once unable to find its place on the album now proves to be a track that fully encompasses the essence of Wage War, from the duality of their gritty and clean vocals to the headbanging breakdowns that they are known for.
The narrator begins by stating that they are unlike those that allow other people’s opinions to change them, making them unrecognizable to themselves. They question why people allow their lives to be influenced by the decisions and ideas of others, to the point that they become surrounded by things that hold them back. Again, reiterating that they are unlike those that follow a crowd, the narrator reminds the listener that it’s not too late to find a path of their own, encouraging them to look toward the future and the possibilities it holds. The accompanying music video takes fans down memory lane with footage of live performances during previous tours and their travels around the world during the Blueprints era. The intro to the video includes a short description of the video, thanking their fans for helping the album become the success that it is today: “5 years ago we put out an album, aptly titled ‘Blueprints’, that would be the foundation of our career as Wage War. The following song is unreleased from that album, and the footage here consists of personal videos from the 212 shows in 13 countries of the Blueprints era. We appreciate every person who has supported us from the beginning with our release of Blueprints and continue to join us on this ride.” Watch the video here! Be sure to check out Wage War on their socials to see what they’re up to! Website: http://wagewarband.com/ Facebook: https://www.facebook.com/wagewar Instagram: https://www.instagram.com/wagewar/ Twitter: https://twitter.com/wagewar Review by: Cristina Herrera  Ohio based alternative pop-punk band Better Anyway recently released their latest EP Low, but Looking Up. The eight months spent working on the EP allowed the band to learn new aspects of the recording and production process firsthand. In addition to this, they also had the opportunity to collaborate with Tyler Albertson, vocalist and bassist in Homesafe, and Kramer Welker, vocalist and guitarist in You vs Yesterday, both of whom have inspired their band. As the title suggests, the theme of the EP shares the relatable place of feeling low, but striving toward getting into a better state of mind. With a total of six tracks, the listener is immersed into this emotional journey of what it feels like to be in that position and shows empathy as they navigate the process of figuring out how to overcome it.
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The mixture of emotions in “Stay Away” sets the tone for the rest of the EP, whether it’s feeling the pressure to change and how it weighs you down, or recognizing that you need to work on yourself and create the space to do so, even if it’s uncomfortable. “Afterthought” feels more introspective, as though you’re looking inward and gathering your thoughts trying to pinpoint when exactly things went wrong, leaving you stuck in a place where you can’t help but dwell on the past in such a way that you struggle with moving forward. “I Can’t Say This to Your Face” slows things down for a moment. As the singer begins listing all of the things that they couldn’t say to someone, it leads the listener to reflect on things they might have wanted to say to someone in their life and struggling with the weight of the things that were left unsaid. Ultimately, sometimes you have to let people go if you really want them to be happy, even if it’s at your own expense. The song starts out soft and slow, gradually building up until there’s less than a minute left and all those feelings explode into a mix of emotions that make you want to cry and scream along. This track was my personal favorite. “Find You There” felt like a sincere apology given to make up for the person they used to be and acknowledge that they need to make some changes. “Stargazer” was more of an acoustic track, talking about missing someone before they’re gone. You can never really be ready to lose someone you love, but when they eventually have to leave, you’ll have memories of them to hold on to. “Bury Me” is the closing track on the EP and I feel like it almost brings things full circle. Not to come off as overly pessimistic, but throughout life, there’s bound to be moments or periods of time where you feel low, emotionally and mentally. Realistically speaking, these moments are inevitable, unfortunately. However, knowing that growth and progress are attainable are the things that make the future seem a bit brighter. Overall, the honesty and relatability of these tracks is something I think anyone can relate to. Personally, I really enjoy music that I can have an emotional connection with. Some of my favorite songs are the ones that make me feel understood; even if they make me sad, it’s comforting to know that other people can relate. Low, but Looking Up offers that understanding and reminds us that getting to a better mental and emotional state may not be easy, but it’s possible. Prior to listening to this EP, I hadn’t heard of this band, but I can confidently say that Better Anyway quickly became one of my favorite musical discoveries of 2020 and I’m excited for what their future holds. If they ever come out to southern California, I’ll definitely head to a show, but until then, I’ll be streaming the EP. Listen to Low, but Looking Up here! Be sure to check out Better Anyway on their socials to see what they’re up to! Facebook: https://www.facebook.com/betteranywayoh/ Instagram: https://www.instagram.com/betteranywayoh/ Twitter: https://twitter.com/betteranywayoh Review by: Cristina Herrera  Christmas magic is in the air with the release of MoAnanda’s new holiday single “Acoustmas (Oh My Dear).” The power duo consists of two halves: singer-songwriter Moana and guitarist/bassist/producer/mixing-engineer Ananda. This acoustic composition beautifully captivates with its sensitive and direct approach; painting a vivid picture with relevant lyrics that narrate the brutal hardships everyone is enduring in 2020 — all of the personal losses and periods of isolation as we are still residing in lockdown, cut off from the rest of society and facing uncertain circumstances that we’ve never faced before:
“I wanna sit by the fireplace, laughing with you. // But this postcard is painted in blue.” The couple’s soft voices intertwine in flawless synchronization amongst the acoustic waves, transporting listeners with its pure ambience. The new song is accompanied by a festive music video that delicately tugs at the heartstrings, incorporating scenes of holiday traditions: decorating the Christmas tree, baking sweet treats, unwrapping gifts, and spending quality time with loved ones. The group even included footage from participants who wanted to share their memories to help commemorate the special season. This year’s holiday celebrations appear vastly different, delivering an impromptu virtual Christmas experience for many. With “Acoustmas (Oh My Dear),” MoAnanda spread love and joy in a time of adversity with this shining holiday gem — the heartwarming song and visuals perfectly encapsulate every emotion of this socially distanced Christmas, capturing the holiday spirit in this challenging year. “Oh my dear. The city turns red and green. But I’m stuck here, Blowing kisses & love at a screen.” Connect with MoAnanda on their social platforms: Facebook: https://www.facebook.com/moanandamusic/ Instagram: https://instagram.com/moanandamusic Twitter: https://twitter.com/MoAnandaMusic Review by: Bri Rodriguez  Lisa Danaë has released her new single “STARLET,” which highlights her personal journey while forging her own path in the music industry. She sets herself apart from other artists within the pop realm, as she’s established her own unique style, creating dark pop compositions that shine brightly with words of hope and encouragement. This track features an infectious chorus and inspiring message of perseverance. The song describes the challenges that Danaë has experienced along the way, facing the pressure to follow the masses (“I wanted to be just like you. / Always so glamorous, posing for the cameras.”) and receiving criticism and negativity from cynics (“They say I’ll never make it, like do I have a Plan B? / ‘Cause it sounds kinda risky, like a pop princess pipe dream.”) who aim to bring her down and dissuade her from pursuing her passion. Despite these opposing forces, the dark pop princess has learned to embrace her identity and stand resilient in the face of adversity. Empowered by her struggles, Danaë seeks to connect with her fans, lift them up in their difficult times, and let them know that they are not alone. The message to take away from “STARLET” rings clear: “Be who you want to be, and ignore the ones who doubt your ability to succeed in life. You are in control and you will make it. Become your own starlet.” Through her artistry, Danaë exhibits her strength with her honest voice, independence, and passion for her craft. “STARLET” is a gem of an anthem, showcasing Danaë’s fierce spirit of determination and starlit power as she works hard to turn her dreams into a reality.
“I’ve learned to let the hurt melt away. Brush off every word that they say. / ‘Cause I’m a starlet, Baby that’s me. Shining bright for the world to see / I’m a starlet. Feelin’ so free, When I’m putting on a show.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Photo credit: Josh Suguitan  Pop artist Lisa Danaë is back with a new empowering single “Weigh Me Down.” The song was inspired by the phrase “it is what it is” — an exhausted statement that steadily traveled amongst conversations between friends and family in quarantine. Throughout lockdown, this sentiment was continually expressed in regards to the circumstances surrounding the coronavirus pandemic and its dire effects. In this period of isolation, many find themselves struggling more than ever with mental health, depression, and anxiety.
Danaë drew from her personal experience and the challenges she has faced as an independent Filipino-American female artist. The piano line she created in the composition represents the threat of a ticking time bomb that is waiting in the stillness - ready to detonate once you’re in the negative state where you find yourself heavily dwelling upon something, especially that which is out of your control. This upbeat, infectious track challenges insecurity and offers an optimistic perspective through a brighter lens — the narrative expresses the constant struggle of comparing yourself to others and navigating the harsh conditions on the battleground of social media: “You’re a hit. / You didn’t mean to brag. / But I want what you have, I admit.” Lisa exhibits vulnerability, while intricately blending positive lyrics with darker tones and melodies. A foundation of electronic synths layer around Lisa’s sugary vocals, as she sings with honesty and self-awareness, “I won’t let these thoughts own me. / I won’t blame someone else. / I’m the one that controls how I’m feeling myself.” It’s so easy to fall into the trap of social media, where everything is painted with vibrant hues, leading you to conclude that everything is “sunshine and rainbows.” You steadily find yourself comparing your journey to others in this digital era that’s so transfixed with the number of likes, views, streams, and followers. Profile feeds bombard you with picture perfect imagery; everything’s “perfect” in this person’s life — just scroll through the sea of photos and look at all of the bright, smiling faces — leaving you to make the assumption that they’ve made it, that they ‘have it all together’ and are living the dream.. However, in reality, what you’re actually viewing is a distorted image that’s set up to trick you with its grand illusions of smoke and mirrors. You’re only seeing what people choose to share across their social platforms — a very small fraction of their life that they decide to post publicly. You’re not being exposed to the hard times and intense emotions, filled with pain, heartache, tears, and self-doubt. The life of an artist is a tumultuous path, with many pressures weighing on your shoulders — the fear of failure, the struggle to achieve some defined level of success, and that deprecating feeling of being placed under a microscope for others to closely evaluate and dissect — it severely drains your life force and the lingering question if all of this effort is a waste of time. The truth is, though, that it’s worth it. It is worth every obstacle and every ounce of suffering when creativity is the passion that wholly consumes you and drives you to wake up every day and pursue your craft. Your art is worth the fight and the battle scars that accompany it. With the release of her single, Lisa shines an illuminating light on these issues and strongly declares that she will no longer let this internal conflict “Weigh Me Down.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Image by: Chris Rodarte Artwork by: Tribe Unltd  Cleveland indie band shelter pup. are back with a new single “Ghosts in the Graveyard,” which was recently released on October 2nd. This track is about acceptance of our mortality. The penned lyrics are contemplative in nature, focusing on the subject of death and dying. Somber and melancholic, the song also instills a sense of reminiscing on the past. The song title is a reference to an old childhood game, similar to hide-and-seek. The difference is that it’s played at nighttime.
“Ghosts in the Graveyard” matches in tone with the band’s previous single (It’s) Your Funeral” - - a calmly serene, emo sound, yet heavy lyricism. The two tracks are finely polished works that follow a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Frontman Trevor Stout has been releasing music with shelter pup. since early 2018. The band first began as a solo project, until later solidifying the lineup with a drummer and bassist. Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” Stout has plans to release a new EP in 2021. There has been a cancellation of a few shows, due to the coronavirus pandemic. But it’s been a blessing in disguise, as the free time has enabled him to have a chance to slow down, write more music, refine material, and determine his next direction. The release of “Ghosts in the Graveyard” is accompanied by a lyric video that contains stunning imagery of nature. The footage opens with a befitting scene of a graveyard, and then cuts throughout to visuals that correspond with the song lyrics. One particular highlight of the track is the dynamic vocal performance that showcases Stout’s range. “Ghosts in the Graveyard” strikes with fierce, poetic lyricism, as shelter pup. sets themselves apart with an honest voice and sincere artistry. “I’ll be a ghost before they collect my soul. Familiarize myself with my friends out in the catacombs.” Check out the new shelter pup. single “Ghosts in the Graveyard” here: https://www.youtube.com/watch?v=SK8MTcOGR-c Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM  Throughout high school, Trevor Stout would frequent open mic nights, performing cover songs with his acoustic guitar in hand. Fast forward a couple of years, Stout created ‘shelter pup.’ He would continue to visit open mics where he would play a collection of songs he had written. These compositions would later form his first EP. Some of the band’s musical influences include Beck, Led Zeppelin, and Dance Gavin Dance. Sonically, the project draws from these artists, releasing material that intricately combines indie with emo force.
The Cleveland band’s previous works include a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” shelter pup. recently released a new single entitled “(It’s) Your Funeral.” Inspired by personal experiences, Stout wrote this song about idealized isolation. In one aspect, it’s a letter to his past self who once thought that he was better off alone, that he didn’t need anyone, and could accomplish everything on his own. However, this is flawed reasoning because there is a certain line that can potentially be crossed, when being alone can lead to something far more dire; this solitude becomes self-destructive behavior and socially cripples with its negative effects, significantly impacting one’s quality of life. The single’s music video strongly correlates with the message of the song. The visuals present a unique concept as the footage focuses on a central storyline surrounding its main character, Henri the Skeleton. Viewers are exposed to a solitary “day in the life” as Henri goes throughout the motions of his life. The video opens with a scene of Henri spinning in a black spiral abyss. Footage closely follows his course of actions - as he completes his morning routine in front of the bathroom mirror, sways in a hammock, and sits on a platform while fishing. Later, he is seen riding a carousel, swinging on a swing, and standing across a boardwalk platform, as he overlooks the ocean at the barricade. While these activities unfold, cords envelop all around him, tying him down like the strings of a puppet figure, entrapping him. Finally succumbing to defeat, Henri lays in an abysmal state of paralyzing loneliness and distress. This simple, yet effective concept showcases how Henri led an empty existence as the walking dead, and powerfully conveys the eventual outcome that can transpire when you completely cut yourself off from everyone and everything. The music of shelter pup. is a breath of fresh air - insightful and thought-provoking, it is evident that every facet of this project is carefully crafted and executed with such fine precision and honesty. Check out the new shelter pup. video for “(It’s) Your Funeral” here: https://www.youtube.com/watch?v=QWIcJWwjbVY Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM Interview By: Bri Rodriguez Photo By: Manda Specht  Coasting On Potential is a rock/metalcore band based out of Endwell, New York. Formed in 2014, the lineup consists of vocalist Justin DiTomasso, guitarist Nate Pecson, lead guitarist Matt Maione, bassist Jon Shackelton, and drummer Tom Towner. The quintet’s debut EP “Onwards and Upwards” was released in 2015, followed by the subsequent title “Surrounded By Myself” in 2017. The band has taken some time off to focus on their sound and direction. But now the wait is finally over, as Coasting On Potential is back on the scene with their new single “In Misery” and plans to release new material for the first time in three years. These compositions will speak for themselves as they will provide some insight regarding what the members have been going through during their time away. “In Misery” is extremely personal as it holds significant meaning to the band’s frontman. Lead singer Justin DiTomasso states, “After losing both of my parents in the time span of one year, I felt like I was alone and had no guidance or direction in life anymore. ‘In Misery’ is the depiction of the twisted way my mind felt in the aftermath of everything. It talks about how I struggled to move on, and how it made me question the point of life, or the point in anything for that matter.” “I’ve been waiting for so long For faith to guide me through this sad song, Can’t find my way back to the water Find my way into your hands These days I only sit and wait In misery.” “In Misery” is a heavy composition that incorporates both metalcore screams and clean vocals, accompanied by melodic changes and intense instrumentals. This effective method manages to perfectly encapsulate the whirlwind of emotions associated with suffering and mental distress. The hard-hitting track triggers the mixed feelings that stem from loss, grief, and vulnerability. Anguish and desperation overflow throughout the lyrics and DiTomasso channels his pain to give an emotional vocal delivery. The gut-wrenching chorus twists the blade further, as listeners can relate to the feeling of going through the motions and the sense of being lost in a haze. “I serenade, This empty space. Knowing I’ll never scream enough To fill the void. I bend and break, Cause since that day, I felt a pain that won’t decay Or fade away.” The corresponding music video opens with a quote: “There is no greater sorrow than to recall In Misery the time when we were happy.” Throughout the video, the band presents a compelling and emotionally driven performance. The grungy, raw visuals accurately depict the true struggles of a man shrinking himself into a hopelessly stagnant existence, unable to process his pain. In his distress, he turns to several coping mechanisms - in the form of alcohol, pills, and cigarettes - and does everything he can to hold on to the frayed thread that is threatening to break away. Watch the video here: https://youtu.be/L-7_nd5LoVQ With the release of “In Misery”, the band strives to communicate with their listeners and relay an urgent message that needs to be heard: Despite whatever you may be currently feeling, please know that you are not alone. You are not fighting in isolation, as there are others standing on the battleground beside you.  “In Misery” BTS Shot // Image Credit: Karalyn Hope Connect with Coasting On Potential on their social platforms:
Bandcamp: https://coastingonpotential.bandcamp.com/ Facebook: https://www.facebook.com/coastingonpotential Instagram: https://www.instagram.com/coastingonpotential/ Twitter: https://twitter.com/coastingband Review by: Bri Rodriguez Image by: Karalyn Hope  Boston-based artist Abigail Ory classifies her music as “weird pop.” Most of her material was written years ago and then later revised with the aid of Ory’s mentor and revered songwriter, Donna Lewis. Abigail writes her own material and fulfills the role as director for her music videos. The singer/songwriter creates personal works that are full of intention and honesty. Her musical influences include MARINA, Violent Femmes, and Grimes. This fact is evident as soon as her songs start playing. Her new song “Waves” was inspired by the book “The Invention of Morel” by author Adolfo Bioy Casares. She initially began composing the track for a dance production in her sophomore year of high school. The pop power ballad spins a message of change, acceptance, and loss that surrounds our relationships. Abigail’s passion shines brightly in “Waves” as the track intertwines her poetic lyrics, soulful vocals, and authentic spirit.
“Feel the wind in my hair and the smoke at my fingertips. / Breathing just to get by is no real way to live, What if when the daybreak comes, / She fades away with the rising sun? Oh, why did I fall in love?” “Feel the salt on my skin and the water starts to drag me in. / This ocean of mine is a treacherous place to swim. And as it starts to reach high tide, / I hope you start to feel alive. Oh, why did I fall in love?” “Waves roll on to the waking light, Stars fade back into the night. / It is there in the morning, I can finally hear you sing.” Connect with Abigail Ory on her social platforms: Website: https://www.ory.info/ Facebook: https://www.facebook.com/abigailoryofficial/ Instagram: https://www.instagram.com/abigailory/ Twitter: https://twitter.com/abigailory Review by: Bri Rodriguez  New Jersey-based pop rock band The Ones You Forgot formed in 2014. Since their inception, the quintet has opened for several national touring acts, including Boys Like Girls, Never Shout Never, Emarosa, and Four Year Strong. The band lineup consists of Jenna Bruno (vocals), Matthew Thompson (guitar), Ferdinand Benauro (guitar), Justin Rodman (drums), and Lance Nelson (bass). Their discography includes a 2015 debut EP entitled “Peaks & Valleys”, sophomore EP “Too Afraid To Say”, and 2016 single “Make It Out Alive.” The members cite their musical influences, which include artists We Are The In Crowd, All Time Low, and State Champs. The group was selected to perform at the 25th anniversary of the Vans Warped Tour in Summer 2019. Since their Warped appearance, the band has focused on building their brand and writing new material, while still maintaining an active social media presence through Twitch and regular online streaming. The Ones You Forgot have returned with their first single in two years, “Something For Me.” This bouncy track showcases the band’s evolution with a new era of self-love, featuring insightful lyrics, an infectious hook, and earnest vocal melodies. The song’s theme is symbolized by the single artwork that cleverly utilizes daisy illustrations, a flower that represents purity and new beginnings. Sonically embracing pop-punk with emo elements, The Ones You Forgot have released a powerhouse track that embodies a vibrant message of strength and empowerment.
“Waiting for you to say you love me, For who I am, it’s crazy / I wish I could see, That I just deserve better and that this won’t last forever / Why am I waiting, I know there’s something for me.” “Now it’s time to move along, Take care of number one / And I will be just fine, I’ve learned to cut through the noise / I am deserving of joy, Even at my lowest.” Connect with The Ones You Forgot on their social platforms: Website: https://www.theonesyouforgot.com/ Facebook: https://www.facebook.com/theonesyouforgot Instagram: https://www.instagram.com/theonesyouforgot/ Twitter: https://twitter.com/toyfmusic Review by: Bri Rodriguez  San Diego band Vokab Kompany is composed of two skilled emcees, Rob Hurt and Burkey. The duo recently released a genre defying album “Small Viktories” that comprises nine tracks and showcases a diverse collection of creative collaborations. This LP is an audio journal that sonically infuses a high-power blend of hip-hop, funk, soul, and EDM. The album is filled with positive vibes, psychedelic basslines, and funky grooves; every composition is intricately connected and features hip-hop vocals and electronic soundscapes. Standout tracks include the funk anthem “Fabtastik” (including groovy sax riffs and an artistic collab with producer Megan Hamilton), and “Classic” love song that unfolds the start of a new romance. “Politricks” presents commentary on current political issues while simultaneously promoting an inspirational message of hope for change and unity. “Stories Up” ties everything together and closes the LP on a strong emotional note with an instrumental version of “30 Stories Up.”
Label: Gravitas Recordings Release Date: July 17, 2020 Tracklisting: 01 Like That feat. JPOD 02 Fabtastik feat. Megan Hamilton 03 Get It Right feat. AHEE 04 Classic 05 Stories Up feat. Mitchy Slick and Cloudchord 06 MVP feat. Dave Veith 07 Coffee & Chill feat. Lily Fangz & MIDIcinal 08 Poltricks feat. Mitchy Slick and Alfred Howard 09 Stories Up feat. Cloudchord (Instrumental) Personal favorite tracks: Fabtastik, Classic, Coffee & Chill, Stories Up Connect with Vokab Kompany on their social media platforms: Website: https://www.vokabkompany.com/ Facebook: https://www.facebook.com/TheVokabKompany/ Instagram: https://www.instagram.com/vokabkompany/ Twitter: https://twitter.com/vokabkompany Review by: Bri Rodriguez  Ohio metal band Then Falls The Sky has persevered despite the current circumstances with COVID-19. The initial release of their new EP “Break Free” was intended for May, but it was pushed back due to pandemic. The EP has finally been unleashed into the world. The quintet showcases aggressive vocals from Nick Barlage and high-power instrumentation by Jacob Smith (guitar), Oney Michaels (bass), and siblings Chad McElwee (guitar) and Amanda McElwee (drums). “Blinded” kicks off strong with distortion followed by a driving guitar riff. The track stands out with spoken-word audio samples and a thought-provoking vocal hook: “Am I not justified for thoughts inside my own mind?” The compositions strike with full force and ferocity. The melodic metalcore sound is charged with hard-hitting breakdowns, powerful screams, and dynamic riffage. “Complacent” spirals with its many winding twists and turns, while “The End” transmits a surge of fierce energy. The most surprising component on the EP is its unconventional closer. “Momento” encompasses a nice balance of both melodic and heavy elements. Concluding with an instrumental track is a different approach, but this arrangement effectively serves its purpose and wraps everything up flawlessly. Fueled with intense emotions, the compositions provide a strong sense of empowerment to ride out the turbulent storm of life and face trials with a tenacious spirit. “Break Free” exhibits the band’s steadfast determination, passion for their craft, and their relentless drive to succeed.
Label: Independent Release Date: July 15, 2020 Tracklisting: 01 Blinded 02 Complacent 03 Reasons 04 Scars 05 The End 06 Momento Personal favorite tracks: Blinded, Complacent, The End, Momento Connect with Then Falls The Sky on their platforms: Website: https://tftsvip.com/ Facebook: https://www.facebook.com/thenfallsthesky/ Instagram: https://www.instagram.com/thenfallsthesky/ Twitter: https://twitter.com/ThenFallsTheSky Review by: Bri Rodriguez  Wilderun is a progressive metal band based out of Boston, MA. In 2019, the band released their third studio album, “Veil of Imagination,” before signing with Century Records. The LP is now scheduled for re-release on July 17, 2020. This record is a
complex opus that intrigues with its transcending twists and turns, commanding the listener’s attention from start to finish. Multiple tracks surpass the 8 minute time mark, with the opening track “The Unimaginable Zero Summer” being the lengthiest composition, clocking in around 14 1/2 minutes. This work of art showcases the band’s musical capabilities as all of the members have established roots in the Berklee College of Music. Arrangements include spoken word, acoustic guitar, and cello, building in gradual intensity before progressing full force in chaotic energy. The band incorporates an array of other instruments, including piano, flutes, and harps, to produce sounds that are rarely ever heard in metal. The LP features a collection of harsh growls, raging guitar riffs, cinematic instrumentals, and calm, atmospheric soundscapes. Every song flows naturally with a sense of brilliant elegance. Beautiful and fierce, “Veil of Imagination” delivers intense compositions that sweep the listener off their feet as they embark on an otherworldly journey, combining the strengths of dynamic orchestration and progressive metal. Musicians: Evan Anderson Berry / Vocals, Guitars, Piano Dan Müller / Bass, Synths, Orchestrations Jon Teachey / Drums Joe Gettler / Lead Guitar Wayne Ingram / Orchestrations Release Date: July 17, 2020 Label: Century Media Tracklisting: 01 The Unimaginable Zero Summer 02 O Resolution! 03 Sleeping Ambassadors of the Sun 04 Scentless Core (Budding) 05 Far from Where Dreams Unfurl 06 Scentless Core (Fading) 07 The Tyranny of Imagination 08 When the Fire and the Rose Were One Personal favorite tracks: Far from Where Dreams Unfurl, When the Fire and the Rose Were One, Sleeping Ambassadors of the Sun, The Tyranny of Imagination Connect with Wilderun on their social platforms: Website: https://www.wilderun.com/ Facebook: https://www.facebook.com/OfficialWilderun Instagram: https://www.instagram.com/wilderunband/ Twitter: https://twitter.com/Wilderunband Review by: Bri Rodriguez  The Post Romantics are composed of brothers Connor Cockbain, Cameron Cockbain, and Liam Cockbain, alongside childhood friend, Sam Barton. Hailing from Liverpool, the band embraces a darker aesthetic and experiments with multiple genres, infusing an intriguing blend of emo, trap, and R&B. Their cited inspirations and musical influences include The Weeknd, Massive Attack, Call Me Karizma, and Kid Kapichi. The Post Romantics have released their new single “bad friend”, a track that was self-produced in the midst of the COVID-19 lockdown, and described by the band as an “anti-love letter to the liars, users, and other fake friends.” The song showcases an atmospheric soundscape with haunting electronics, fierce lyrics, and compelling beats. Frontman Connor Cockbain delivers a slaying vocal performance, charging forward relentlessly as he exposes the toxicity in a bad relationship and the emotional pain endured after being deceived by someone close to him.
“I’m so sick of doing all this bad shit. Psycho baby, but you know you’re so attractive. / Don’t wanna lose you, But I need to break the habit.” “bad friend” serves a gritty narrative that targets the haters and snakes of the world. The Post Romantics craft authentic compositions that are filled with raw emotions, and they have acquired a unique sound that they’ve powerfully refined and made their own. If The Post Romantics weren’t already on your radar, check them out, stream “bad friend”, and share the track with all of your friends (and ex-friends). Connect with The Post Romantics on their social platforms: Website: https://www.thepostromantics.com/#1 Facebook: https://www.facebook.com/thepostromantics Instagram: https://www.instagram.com/thepostromantics/ Twitter: https://twitter.com/thepostromantic Review by: Bri Rodriguez  Chicago’s Time Thieves are Jonathan Pool (guitar, vocals), Tim Reynolds (guitar, vocals), Annie Saunders (bass, vocals), Lilly Choi (synth, vocals), and Mike Oberlin (percussion). The band recently released their album “Space.” Full of authenticity and raw power, the work is scattered with space references throughout its entire essence. This detail is evident amongst the lyrics, song titles, and LP artwork. Sonically, it’s an intriguing infusion of indie and pop punk that encourages listeners to delve deeper into the experience and find out more of their offerings.
“Seasons In (Intro)” fades in and builds up as it leads into the first full length track on the LP. Short and sweet, “Flicker of Light” is an effective introduction to Time Thieves as the composition encompasses their power pop sound, while simultaneously showcasing only a small fragment of the group’s capabilities. “Nothing to see, Really nothing to see. / Not a flicker of light. This darkness you see is depending on me for a flicker of light.” As the album progresses, the songs showcase more complexity in their arrangements, approaches, and vocal stylings.Containing all components of skillful infectious power pop: blending vocal harmonies, addicting hooks, smooth guitars and rhythm. The indie compositions feel familiar, yet simultaneously brand new. Time Thieves have initiated a spark with transcending compositions that teleport you to another time and place. “Space” is a sugary sweet pop punk album that is deemed a title worthy of “anthemic summer album.” For fans of: Weezer {old school}, grandaddy, The Rentals, that dog., Ovens, and Ozma. Release Date: July 03, 2020 Label: Anxious and Angry Records Tracklisting: 01 - Seasons In (Intro) 02 - Flicker of Light 03 - Message 04 - Road 05 - Canned 06 - Way 07 - Flash of Light 08 - TWKR 09 - Light 10 - You Should Know 11 - Night Personal favorite tracks: Flicker of Light, Message, Way, Light, Night Connect with Time Thieves on their social platforms: Website: https://anxiousandangry.com/collections/time-thieves-1 Facebook: https://www.facebook.com/timethieveschicago Instagram: https://www.instagram.com/timethieveschicago/ Bandcamp: https://timethieveschicago.bandcamp.com/ Review by: Bri Rodriguez  Based out of Austin, TX, Cristina Soto is a singer/songwriter who continuously seeks to grow as a “no-genre” artist. Her vocal training encompasses a wide spectrum of genres, including jazz, opera, gospel, and musical theatre. She is extensively known for her cross-genre work, specifically within the realm of EDM. She released her debut album “All I Need” in 2016.
Her collaborative efforts with EDM artists consist of these features: Psymbionic - “One Thing” Bassnectar - “Into The Sun” mixtape Illenium & Said The Sky - “Painted White” Now, Soto has revisited her breakout Tritonal track “Still With Me” that was remixed by Seven Lions in 2012. With this new acoustic version, she’s accompanied by her brother, Rob Soto (guitar), Haydn Vitera (strings), and Omar Vallejo (bass). The arrangement of these instruments serves a valuable purpose, bringing even more life to the composition. The addition of strings invoke a stronger emotional impact and permit Soto’s ethereal vocals to soar high as the prominent highlight. Soto’s raw rendition beautifully captures the essence of this track, and its underlying theme to slow down and be present with the ones you love. “Still With Me” feels captivating, as if being touched by some kind of divine force or power. “I see… I see you smiling, smiling… Slow down, Let me be still with you… Still with me…” Connect with Cristina Soto on her social platforms: Website: https://cristinasoto.com/ Facebook: https://www.facebook.com/sotosinger Instagram: https://www.instagram.com/thesotosinger/ Twitter: https://twitter.com/thesotosinger Review by: Bri Rodriguez  LA-based female duo Tarah Who? consists of Tarah G. Carpenter (vocals, guitar) and Coralie Herve (drums). Carpenter has overcome adversity from early beginnings. Despite the criticism to attempt more “ladylike” musical pursuits, she stood her ground and created her own path. Initially, Carpenter started the project as a solo endeavor in Los Angeles. She found a gig listed on Craigslist and seized the opportunity to share songs from her private inventory. The event was deemed successful, which led to the decision to form a band. Now, the group is pursuing their dreams and breaking down the obstacles that threaten to restrain them.
Previous releases include a self-titled debut album (2006), sophomore effort “Little Out There” (2013), single track “In A Rush” (2014), “Half Middle Child Syndrome” EP (2017), and “64 Women” EP (2019). The band returns with a new upbeat single “Pantomath” from their forthcoming EP that is currently in the works. The definition of a pantomath is a person who wants to know and knows everything. This track came to life and earned this fitting title through a conversation Carpenter had with another individual. The person spoke in a condescending “know-it-all” manner, criticizing musicians for their creative decisions and career paths. Carpenter shares her perspective on this subject: “Thankfully, we do not all want the same kind of success. There is no one formula to success, otherwise, it would be known and there would be no point in having a story and standing out.” The “Pantomath” music video features a warm, vibrant tone that perfectly encapsulates the old school vibes of the punk rock song. Carpenter exhibits a fierce and liberating presence as she ventures a desert setting, with the sun hanging high up in the sky. Eventually, she reaches her destination and walks across a platform. Tarah picks up her guitar and takes her stance to perform alongside Cotalie, who is already on the scene, positioned at her drum kit, and ready to rock. Throughout the band’s performance, the footage cuts to show Tarah grabbing a baseball bat and waging a warpath as she breaks bottles, flinging shattered glass everywhere. The video concludes with Tarah crossing paths with her biker friends, hopping onto a bike, and riding off into the desertscape. “Pantomath” is a fun, anthemic track that presents an energetic flair, relentless spirit, and sing-a-long chorus. The Tarah Who? duo vividly showcases female empowerment with their aggressive drum beats, raw vocal delivery, and gritty, rebellious attitude. Check out the music video for “Pantomath” here: https://www.youtube.com/watch?v=4xfeNfJJwAs Connect with Tarah Who? on their social platforms: Website: http://www.tarahwho.com/ Facebook: https://www.facebook.com/Tarahwho/ Instagram: https://www.instagram.com/TarahWho/ Twitter: https://twitter.com/TarahWho Review by: Bri Rodriguez  Dead Posey are a wedded rock duo, comprising Danyell Souza (vocalist/producer) and Tony F. (guitarist/producer/multi-instrumentalist). Based out of Los Angeles, they experienced their musical breakthrough in 2018 with standout track “Don’t Stop The Devil” and the release of their debut EP “Freak Show.” The couple recently dropped their second EP “Malfunction” with a corresponding music video for their new single “Parasite.” A variety of sonic influences can be detected in their distinct sound, reminiscent of artists that range from Marilyn Manson, Nine Inch Nails, Depeche Mode, and The Kills. The new material presents a darker tone, with the four songs showcasing a sharper industrial edge.
Opening track “Head Of The Snake” charges forward relentlessly with powerful perseverance: “Little girl, hush your mouth / But mama said I could wear the crown. / Bruised and scarred, I won’t let down. / Got a voice I’m usin’ now.” “Parasite” infects the mind with an addictive chorus: “I’ll bleed out your sickness, to let in the light. / Oh dead or alive, I’ll get you out of my sight / You’re a parasite.” “Bad Things” features lyrical references to superstitions, voodoo magic, and black cats: “Bad things come in threes, Bad luck always seems to find me. / Black cat walkin’ right beside me / Knock on wood, but I’m still jinxed.” The EP concludes with the sultry “Holy Roller”: “When you’re lookin’ over your shoulder, see the darkness comin’ right for ya… / Bring you down like a holy roller.” Dead Posey draws inspiration from the likes of David Lynch, Edgar Allan Poe, Salvador Dali, and Jim Morrison. The two members have crafted a world of their own twisted design that illustrates their dynamic force together. Souza slays with her intense vocal delivery, exhibiting her potent range throughout the four tracks. The compositions are rawfully fueled by enthralling melodies, introspective themes, haunting lyrics, and a visceral production. Dead Posey conjures up a captivating spell in “Malfunction” that bewitches their audience with the duo’s chaotic sound and leaves them wanting more. Release Date: June 19, 2020 Label: Sumerian Records/Position Music Tracklisting: 01 Head Of The Snake 02 Parasite 03 Bad Things 04 Holy Roller Personal favorite tracks: Bad Things, Holy Roller Connect With Dead Posey: Website: http://www.deadposey.com/ Facebook: https://www.facebook.com/deadposey/ Instagram: https://www.instagram.com/deadposey/ Twitter: https://twitter.com/dead_posey Review by: Bri Rodriguez |