 Christmas magic is in the air with the release of MoAnanda’s new holiday single “Acoustmas (Oh My Dear).” The power duo consists of two halves: singer-songwriter Moana and guitarist/bassist/producer/mixing-engineer Ananda. This acoustic composition beautifully captivates with its sensitive and direct approach; painting a vivid picture with relevant lyrics that narrate the brutal hardships everyone is enduring in 2020 — all of the personal losses and periods of isolation as we are still residing in lockdown, cut off from the rest of society and facing uncertain circumstances that we’ve never faced before:
“I wanna sit by the fireplace, laughing with you. // But this postcard is painted in blue.” The couple’s soft voices intertwine in flawless synchronization amongst the acoustic waves, transporting listeners with its pure ambience. The new song is accompanied by a festive music video that delicately tugs at the heartstrings, incorporating scenes of holiday traditions: decorating the Christmas tree, baking sweet treats, unwrapping gifts, and spending quality time with loved ones. The group even included footage from participants who wanted to share their memories to help commemorate the special season. This year’s holiday celebrations appear vastly different, delivering an impromptu virtual Christmas experience for many. With “Acoustmas (Oh My Dear),” MoAnanda spread love and joy in a time of adversity with this shining holiday gem — the heartwarming song and visuals perfectly encapsulate every emotion of this socially distanced Christmas, capturing the holiday spirit in this challenging year. “Oh my dear. The city turns red and green. But I’m stuck here, Blowing kisses & love at a screen.” Connect with MoAnanda on their social platforms: Facebook: https://www.facebook.com/moanandamusic/ Instagram: https://instagram.com/moanandamusic Twitter: https://twitter.com/MoAnandaMusic Review by: Bri Rodriguez
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 Lisa Danaë has released her new single “STARLET,” which highlights her personal journey while forging her own path in the music industry. She sets herself apart from other artists within the pop realm, as she’s established her own unique style, creating dark pop compositions that shine brightly with words of hope and encouragement. This track features an infectious chorus and inspiring message of perseverance. The song describes the challenges that Danaë has experienced along the way, facing the pressure to follow the masses (“I wanted to be just like you. / Always so glamorous, posing for the cameras.”) and receiving criticism and negativity from cynics (“They say I’ll never make it, like do I have a Plan B? / ‘Cause it sounds kinda risky, like a pop princess pipe dream.”) who aim to bring her down and dissuade her from pursuing her passion. Despite these opposing forces, the dark pop princess has learned to embrace her identity and stand resilient in the face of adversity. Empowered by her struggles, Danaë seeks to connect with her fans, lift them up in their difficult times, and let them know that they are not alone. The message to take away from “STARLET” rings clear: “Be who you want to be, and ignore the ones who doubt your ability to succeed in life. You are in control and you will make it. Become your own starlet.” Through her artistry, Danaë exhibits her strength with her honest voice, independence, and passion for her craft. “STARLET” is a gem of an anthem, showcasing Danaë’s fierce spirit of determination and starlit power as she works hard to turn her dreams into a reality.
“I’ve learned to let the hurt melt away. Brush off every word that they say. / ‘Cause I’m a starlet, Baby that’s me. Shining bright for the world to see / I’m a starlet. Feelin’ so free, When I’m putting on a show.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Photo credit: Josh Suguitan  Pop artist Lisa Danaë is back with a new empowering single “Weigh Me Down.” The song was inspired by the phrase “it is what it is” — an exhausted statement that steadily traveled amongst conversations between friends and family in quarantine. Throughout lockdown, this sentiment was continually expressed in regards to the circumstances surrounding the coronavirus pandemic and its dire effects. In this period of isolation, many find themselves struggling more than ever with mental health, depression, and anxiety.
Danaë drew from her personal experience and the challenges she has faced as an independent Filipino-American female artist. The piano line she created in the composition represents the threat of a ticking time bomb that is waiting in the stillness - ready to detonate once you’re in the negative state where you find yourself heavily dwelling upon something, especially that which is out of your control. This upbeat, infectious track challenges insecurity and offers an optimistic perspective through a brighter lens — the narrative expresses the constant struggle of comparing yourself to others and navigating the harsh conditions on the battleground of social media: “You’re a hit. / You didn’t mean to brag. / But I want what you have, I admit.” Lisa exhibits vulnerability, while intricately blending positive lyrics with darker tones and melodies. A foundation of electronic synths layer around Lisa’s sugary vocals, as she sings with honesty and self-awareness, “I won’t let these thoughts own me. / I won’t blame someone else. / I’m the one that controls how I’m feeling myself.” It’s so easy to fall into the trap of social media, where everything is painted with vibrant hues, leading you to conclude that everything is “sunshine and rainbows.” You steadily find yourself comparing your journey to others in this digital era that’s so transfixed with the number of likes, views, streams, and followers. Profile feeds bombard you with picture perfect imagery; everything’s “perfect” in this person’s life — just scroll through the sea of photos and look at all of the bright, smiling faces — leaving you to make the assumption that they’ve made it, that they ‘have it all together’ and are living the dream.. However, in reality, what you’re actually viewing is a distorted image that’s set up to trick you with its grand illusions of smoke and mirrors. You’re only seeing what people choose to share across their social platforms — a very small fraction of their life that they decide to post publicly. You’re not being exposed to the hard times and intense emotions, filled with pain, heartache, tears, and self-doubt. The life of an artist is a tumultuous path, with many pressures weighing on your shoulders — the fear of failure, the struggle to achieve some defined level of success, and that deprecating feeling of being placed under a microscope for others to closely evaluate and dissect — it severely drains your life force and the lingering question if all of this effort is a waste of time. The truth is, though, that it’s worth it. It is worth every obstacle and every ounce of suffering when creativity is the passion that wholly consumes you and drives you to wake up every day and pursue your craft. Your art is worth the fight and the battle scars that accompany it. With the release of her single, Lisa shines an illuminating light on these issues and strongly declares that she will no longer let this internal conflict “Weigh Me Down.” Connect with Lisa Danaë on her social media platforms: Website: https://www.lisadanae.com/ Facebook: https://www.facebook.com/lisadanaemusic Instagram: https://www.instagram.com/lisadanaemusic/ Twitter: https://twitter.com/lisadanaemusic Review by: Bri Rodriguez Image by: Chris Rodarte Artwork by: Tribe Unltd  Cleveland indie band shelter pup. are back with a new single “Ghosts in the Graveyard,” which was recently released on October 2nd. This track is about acceptance of our mortality. The penned lyrics are contemplative in nature, focusing on the subject of death and dying. Somber and melancholic, the song also instills a sense of reminiscing on the past. The song title is a reference to an old childhood game, similar to hide-and-seek. The difference is that it’s played at nighttime.
“Ghosts in the Graveyard” matches in tone with the band’s previous single (It’s) Your Funeral” - - a calmly serene, emo sound, yet heavy lyricism. The two tracks are finely polished works that follow a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Frontman Trevor Stout has been releasing music with shelter pup. since early 2018. The band first began as a solo project, until later solidifying the lineup with a drummer and bassist. Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” Stout has plans to release a new EP in 2021. There has been a cancellation of a few shows, due to the coronavirus pandemic. But it’s been a blessing in disguise, as the free time has enabled him to have a chance to slow down, write more music, refine material, and determine his next direction. The release of “Ghosts in the Graveyard” is accompanied by a lyric video that contains stunning imagery of nature. The footage opens with a befitting scene of a graveyard, and then cuts throughout to visuals that correspond with the song lyrics. One particular highlight of the track is the dynamic vocal performance that showcases Stout’s range. “Ghosts in the Graveyard” strikes with fierce, poetic lyricism, as shelter pup. sets themselves apart with an honest voice and sincere artistry. “I’ll be a ghost before they collect my soul. Familiarize myself with my friends out in the catacombs.” Check out the new shelter pup. single “Ghosts in the Graveyard” here: https://www.youtube.com/watch?v=SK8MTcOGR-c Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM  Throughout high school, Trevor Stout would frequent open mic nights, performing cover songs with his acoustic guitar in hand. Fast forward a couple of years, Stout created ‘shelter pup.’ He would continue to visit open mics where he would play a collection of songs he had written. These compositions would later form his first EP. Some of the band’s musical influences include Beck, Led Zeppelin, and Dance Gavin Dance. Sonically, the project draws from these artists, releasing material that intricately combines indie with emo force.
The Cleveland band’s previous works include a handful of singles and demos, and two EPs: 2018’s “Apricity” and 2020’s “Just Be Here.” Stout explains that there’s a sense of duality behind the band’s name: “The angsty side emphasizes the fact that we’re all comparable to shelter animals who have been through hell, yet we’re healing from these hardships on a daily basis. All of this is taking place simultaneously as we set out to determine our place in the world. And the more wholesome side of the band’s name is represented by the period at the end, and the word ‘pup’ is an acronym that stands for patience, understanding, and peace.” shelter pup. recently released a new single entitled “(It’s) Your Funeral.” Inspired by personal experiences, Stout wrote this song about idealized isolation. In one aspect, it’s a letter to his past self who once thought that he was better off alone, that he didn’t need anyone, and could accomplish everything on his own. However, this is flawed reasoning because there is a certain line that can potentially be crossed, when being alone can lead to something far more dire; this solitude becomes self-destructive behavior and socially cripples with its negative effects, significantly impacting one’s quality of life. The single’s music video strongly correlates with the message of the song. The visuals present a unique concept as the footage focuses on a central storyline surrounding its main character, Henri the Skeleton. Viewers are exposed to a solitary “day in the life” as Henri goes throughout the motions of his life. The video opens with a scene of Henri spinning in a black spiral abyss. Footage closely follows his course of actions - as he completes his morning routine in front of the bathroom mirror, sways in a hammock, and sits on a platform while fishing. Later, he is seen riding a carousel, swinging on a swing, and standing across a boardwalk platform, as he overlooks the ocean at the barricade. While these activities unfold, cords envelop all around him, tying him down like the strings of a puppet figure, entrapping him. Finally succumbing to defeat, Henri lays in an abysmal state of paralyzing loneliness and distress. This simple, yet effective concept showcases how Henri led an empty existence as the walking dead, and powerfully conveys the eventual outcome that can transpire when you completely cut yourself off from everyone and everything. The music of shelter pup. is a breath of fresh air - insightful and thought-provoking, it is evident that every facet of this project is carefully crafted and executed with such fine precision and honesty. Check out the new shelter pup. video for “(It’s) Your Funeral” here: https://www.youtube.com/watch?v=QWIcJWwjbVY Connect with shelter pup. on their social media platforms: Facebook: https://www.facebook.com/shelterpupmusic/ Instagram: https://www.instagram.com/thisisshelterpup/ Twitter: https://twitter.com/shelterpupcle Bandcamp: https://shelterpup.bandcamp.com/ Spotify: https://open.spotify.com/artist/2h4vIAEty2yGhRHMnSjNkM Interview By: Bri Rodriguez Photo By: Manda Specht  Coasting On Potential is a rock/metalcore band based out of Endwell, New York. Formed in 2014, the lineup consists of vocalist Justin DiTomasso, guitarist Nate Pecson, lead guitarist Matt Maione, bassist Jon Shackelton, and drummer Tom Towner. The quintet’s debut EP “Onwards and Upwards” was released in 2015, followed by the subsequent title “Surrounded By Myself” in 2017. The band has taken some time off to focus on their sound and direction. But now the wait is finally over, as Coasting On Potential is back on the scene with their new single “In Misery” and plans to release new material for the first time in three years. These compositions will speak for themselves as they will provide some insight regarding what the members have been going through during their time away. “In Misery” is extremely personal as it holds significant meaning to the band’s frontman. Lead singer Justin DiTomasso states, “After losing both of my parents in the time span of one year, I felt like I was alone and had no guidance or direction in life anymore. ‘In Misery’ is the depiction of the twisted way my mind felt in the aftermath of everything. It talks about how I struggled to move on, and how it made me question the point of life, or the point in anything for that matter.” “I’ve been waiting for so long For faith to guide me through this sad song, Can’t find my way back to the water Find my way into your hands These days I only sit and wait In misery.” “In Misery” is a heavy composition that incorporates both metalcore screams and clean vocals, accompanied by melodic changes and intense instrumentals. This effective method manages to perfectly encapsulate the whirlwind of emotions associated with suffering and mental distress. The hard-hitting track triggers the mixed feelings that stem from loss, grief, and vulnerability. Anguish and desperation overflow throughout the lyrics and DiTomasso channels his pain to give an emotional vocal delivery. The gut-wrenching chorus twists the blade further, as listeners can relate to the feeling of going through the motions and the sense of being lost in a haze. “I serenade, This empty space. Knowing I’ll never scream enough To fill the void. I bend and break, Cause since that day, I felt a pain that won’t decay Or fade away.” The corresponding music video opens with a quote: “There is no greater sorrow than to recall In Misery the time when we were happy.” Throughout the video, the band presents a compelling and emotionally driven performance. The grungy, raw visuals accurately depict the true struggles of a man shrinking himself into a hopelessly stagnant existence, unable to process his pain. In his distress, he turns to several coping mechanisms - in the form of alcohol, pills, and cigarettes - and does everything he can to hold on to the frayed thread that is threatening to break away. Watch the video here: https://youtu.be/L-7_nd5LoVQ With the release of “In Misery”, the band strives to communicate with their listeners and relay an urgent message that needs to be heard: Despite whatever you may be currently feeling, please know that you are not alone. You are not fighting in isolation, as there are others standing on the battleground beside you.  “In Misery” BTS Shot // Image Credit: Karalyn Hope Connect with Coasting On Potential on their social platforms:
Bandcamp: https://coastingonpotential.bandcamp.com/ Facebook: https://www.facebook.com/coastingonpotential Instagram: https://www.instagram.com/coastingonpotential/ Twitter: https://twitter.com/coastingband Review by: Bri Rodriguez Image by: Karalyn Hope  Boston-based artist Abigail Ory classifies her music as “weird pop.” Most of her material was written years ago and then later revised with the aid of Ory’s mentor and revered songwriter, Donna Lewis. Abigail writes her own material and fulfills the role as director for her music videos. The singer/songwriter creates personal works that are full of intention and honesty. Her musical influences include MARINA, Violent Femmes, and Grimes. This fact is evident as soon as her songs start playing. Her new song “Waves” was inspired by the book “The Invention of Morel” by author Adolfo Bioy Casares. She initially began composing the track for a dance production in her sophomore year of high school. The pop power ballad spins a message of change, acceptance, and loss that surrounds our relationships. Abigail’s passion shines brightly in “Waves” as the track intertwines her poetic lyrics, soulful vocals, and authentic spirit.
“Feel the wind in my hair and the smoke at my fingertips. / Breathing just to get by is no real way to live, What if when the daybreak comes, / She fades away with the rising sun? Oh, why did I fall in love?” “Feel the salt on my skin and the water starts to drag me in. / This ocean of mine is a treacherous place to swim. And as it starts to reach high tide, / I hope you start to feel alive. Oh, why did I fall in love?” “Waves roll on to the waking light, Stars fade back into the night. / It is there in the morning, I can finally hear you sing.” Connect with Abigail Ory on her social platforms: Website: https://www.ory.info/ Facebook: https://www.facebook.com/abigailoryofficial/ Instagram: https://www.instagram.com/abigailory/ Twitter: https://twitter.com/abigailory Review by: Bri Rodriguez  New Jersey-based pop rock band The Ones You Forgot formed in 2014. Since their inception, the quintet has opened for several national touring acts, including Boys Like Girls, Never Shout Never, Emarosa, and Four Year Strong. The band lineup consists of Jenna Bruno (vocals), Matthew Thompson (guitar), Ferdinand Benauro (guitar), Justin Rodman (drums), and Lance Nelson (bass). Their discography includes a 2015 debut EP entitled “Peaks & Valleys”, sophomore EP “Too Afraid To Say”, and 2016 single “Make It Out Alive.” The members cite their musical influences, which include artists We Are The In Crowd, All Time Low, and State Champs. The group was selected to perform at the 25th anniversary of the Vans Warped Tour in Summer 2019. Since their Warped appearance, the band has focused on building their brand and writing new material, while still maintaining an active social media presence through Twitch and regular online streaming. The Ones You Forgot have returned with their first single in two years, “Something For Me.” This bouncy track showcases the band’s evolution with a new era of self-love, featuring insightful lyrics, an infectious hook, and earnest vocal melodies. The song’s theme is symbolized by the single artwork that cleverly utilizes daisy illustrations, a flower that represents purity and new beginnings. Sonically embracing pop-punk with emo elements, The Ones You Forgot have released a powerhouse track that embodies a vibrant message of strength and empowerment.
“Waiting for you to say you love me, For who I am, it’s crazy / I wish I could see, That I just deserve better and that this won’t last forever / Why am I waiting, I know there’s something for me.” “Now it’s time to move along, Take care of number one / And I will be just fine, I’ve learned to cut through the noise / I am deserving of joy, Even at my lowest.” Connect with The Ones You Forgot on their social platforms: Website: https://www.theonesyouforgot.com/ Facebook: https://www.facebook.com/theonesyouforgot Instagram: https://www.instagram.com/theonesyouforgot/ Twitter: https://twitter.com/toyfmusic Review by: Bri Rodriguez  San Diego band Vokab Kompany is composed of two skilled emcees, Rob Hurt and Burkey. The duo recently released a genre defying album “Small Viktories” that comprises nine tracks and showcases a diverse collection of creative collaborations. This LP is an audio journal that sonically infuses a high-power blend of hip-hop, funk, soul, and EDM. The album is filled with positive vibes, psychedelic basslines, and funky grooves; every composition is intricately connected and features hip-hop vocals and electronic soundscapes. Standout tracks include the funk anthem “Fabtastik” (including groovy sax riffs and an artistic collab with producer Megan Hamilton), and “Classic” love song that unfolds the start of a new romance. “Politricks” presents commentary on current political issues while simultaneously promoting an inspirational message of hope for change and unity. “Stories Up” ties everything together and closes the LP on a strong emotional note with an instrumental version of “30 Stories Up.”
Label: Gravitas Recordings Release Date: July 17, 2020 Tracklisting: 01 Like That feat. JPOD 02 Fabtastik feat. Megan Hamilton 03 Get It Right feat. AHEE 04 Classic 05 Stories Up feat. Mitchy Slick and Cloudchord 06 MVP feat. Dave Veith 07 Coffee & Chill feat. Lily Fangz & MIDIcinal 08 Poltricks feat. Mitchy Slick and Alfred Howard 09 Stories Up feat. Cloudchord (Instrumental) Personal favorite tracks: Fabtastik, Classic, Coffee & Chill, Stories Up Connect with Vokab Kompany on their social media platforms: Website: https://www.vokabkompany.com/ Facebook: https://www.facebook.com/TheVokabKompany/ Instagram: https://www.instagram.com/vokabkompany/ Twitter: https://twitter.com/vokabkompany Review by: Bri Rodriguez  Ohio metal band Then Falls The Sky has persevered despite the current circumstances with COVID-19. The initial release of their new EP “Break Free” was intended for May, but it was pushed back due to pandemic. The EP has finally been unleashed into the world. The quintet showcases aggressive vocals from Nick Barlage and high-power instrumentation by Jacob Smith (guitar), Oney Michaels (bass), and siblings Chad McElwee (guitar) and Amanda McElwee (drums). “Blinded” kicks off strong with distortion followed by a driving guitar riff. The track stands out with spoken-word audio samples and a thought-provoking vocal hook: “Am I not justified for thoughts inside my own mind?” The compositions strike with full force and ferocity. The melodic metalcore sound is charged with hard-hitting breakdowns, powerful screams, and dynamic riffage. “Complacent” spirals with its many winding twists and turns, while “The End” transmits a surge of fierce energy. The most surprising component on the EP is its unconventional closer. “Momento” encompasses a nice balance of both melodic and heavy elements. Concluding with an instrumental track is a different approach, but this arrangement effectively serves its purpose and wraps everything up flawlessly. Fueled with intense emotions, the compositions provide a strong sense of empowerment to ride out the turbulent storm of life and face trials with a tenacious spirit. “Break Free” exhibits the band’s steadfast determination, passion for their craft, and their relentless drive to succeed.
Label: Independent Release Date: July 15, 2020 Tracklisting: 01 Blinded 02 Complacent 03 Reasons 04 Scars 05 The End 06 Momento Personal favorite tracks: Blinded, Complacent, The End, Momento Connect with Then Falls The Sky on their platforms: Website: https://tftsvip.com/ Facebook: https://www.facebook.com/thenfallsthesky/ Instagram: https://www.instagram.com/thenfallsthesky/ Twitter: https://twitter.com/ThenFallsTheSky Review by: Bri Rodriguez  Wilderun is a progressive metal band based out of Boston, MA. In 2019, the band released their third studio album, “Veil of Imagination,” before signing with Century Records. The LP is now scheduled for re-release on July 17, 2020. This record is a
complex opus that intrigues with its transcending twists and turns, commanding the listener’s attention from start to finish. Multiple tracks surpass the 8 minute time mark, with the opening track “The Unimaginable Zero Summer” being the lengthiest composition, clocking in around 14 1/2 minutes. This work of art showcases the band’s musical capabilities as all of the members have established roots in the Berklee College of Music. Arrangements include spoken word, acoustic guitar, and cello, building in gradual intensity before progressing full force in chaotic energy. The band incorporates an array of other instruments, including piano, flutes, and harps, to produce sounds that are rarely ever heard in metal. The LP features a collection of harsh growls, raging guitar riffs, cinematic instrumentals, and calm, atmospheric soundscapes. Every song flows naturally with a sense of brilliant elegance. Beautiful and fierce, “Veil of Imagination” delivers intense compositions that sweep the listener off their feet as they embark on an otherworldly journey, combining the strengths of dynamic orchestration and progressive metal. Musicians: Evan Anderson Berry / Vocals, Guitars, Piano Dan Müller / Bass, Synths, Orchestrations Jon Teachey / Drums Joe Gettler / Lead Guitar Wayne Ingram / Orchestrations Release Date: July 17, 2020 Label: Century Media Tracklisting: 01 The Unimaginable Zero Summer 02 O Resolution! 03 Sleeping Ambassadors of the Sun 04 Scentless Core (Budding) 05 Far from Where Dreams Unfurl 06 Scentless Core (Fading) 07 The Tyranny of Imagination 08 When the Fire and the Rose Were One Personal favorite tracks: Far from Where Dreams Unfurl, When the Fire and the Rose Were One, Sleeping Ambassadors of the Sun, The Tyranny of Imagination Connect with Wilderun on their social platforms: Website: https://www.wilderun.com/ Facebook: https://www.facebook.com/OfficialWilderun Instagram: https://www.instagram.com/wilderunband/ Twitter: https://twitter.com/Wilderunband Review by: Bri Rodriguez  The Post Romantics are composed of brothers Connor Cockbain, Cameron Cockbain, and Liam Cockbain, alongside childhood friend, Sam Barton. Hailing from Liverpool, the band embraces a darker aesthetic and experiments with multiple genres, infusing an intriguing blend of emo, trap, and R&B. Their cited inspirations and musical influences include The Weeknd, Massive Attack, Call Me Karizma, and Kid Kapichi. The Post Romantics have released their new single “bad friend”, a track that was self-produced in the midst of the COVID-19 lockdown, and described by the band as an “anti-love letter to the liars, users, and other fake friends.” The song showcases an atmospheric soundscape with haunting electronics, fierce lyrics, and compelling beats. Frontman Connor Cockbain delivers a slaying vocal performance, charging forward relentlessly as he exposes the toxicity in a bad relationship and the emotional pain endured after being deceived by someone close to him.
“I’m so sick of doing all this bad shit. Psycho baby, but you know you’re so attractive. / Don’t wanna lose you, But I need to break the habit.” “bad friend” serves a gritty narrative that targets the haters and snakes of the world. The Post Romantics craft authentic compositions that are filled with raw emotions, and they have acquired a unique sound that they’ve powerfully refined and made their own. If The Post Romantics weren’t already on your radar, check them out, stream “bad friend”, and share the track with all of your friends (and ex-friends). Connect with The Post Romantics on their social platforms: Website: https://www.thepostromantics.com/#1 Facebook: https://www.facebook.com/thepostromantics Instagram: https://www.instagram.com/thepostromantics/ Twitter: https://twitter.com/thepostromantic Review by: Bri Rodriguez  Chicago’s Time Thieves are Jonathan Pool (guitar, vocals), Tim Reynolds (guitar, vocals), Annie Saunders (bass, vocals), Lilly Choi (synth, vocals), and Mike Oberlin (percussion). The band recently released their album “Space.” Full of authenticity and raw power, the work is scattered with space references throughout its entire essence. This detail is evident amongst the lyrics, song titles, and LP artwork. Sonically, it’s an intriguing infusion of indie and pop punk that encourages listeners to delve deeper into the experience and find out more of their offerings.
“Seasons In (Intro)” fades in and builds up as it leads into the first full length track on the LP. Short and sweet, “Flicker of Light” is an effective introduction to Time Thieves as the composition encompasses their power pop sound, while simultaneously showcasing only a small fragment of the group’s capabilities. “Nothing to see, Really nothing to see. / Not a flicker of light. This darkness you see is depending on me for a flicker of light.” As the album progresses, the songs showcase more complexity in their arrangements, approaches, and vocal stylings.Containing all components of skillful infectious power pop: blending vocal harmonies, addicting hooks, smooth guitars and rhythm. The indie compositions feel familiar, yet simultaneously brand new. Time Thieves have initiated a spark with transcending compositions that teleport you to another time and place. “Space” is a sugary sweet pop punk album that is deemed a title worthy of “anthemic summer album.” For fans of: Weezer {old school}, grandaddy, The Rentals, that dog., Ovens, and Ozma. Release Date: July 03, 2020 Label: Anxious and Angry Records Tracklisting: 01 - Seasons In (Intro) 02 - Flicker of Light 03 - Message 04 - Road 05 - Canned 06 - Way 07 - Flash of Light 08 - TWKR 09 - Light 10 - You Should Know 11 - Night Personal favorite tracks: Flicker of Light, Message, Way, Light, Night Connect with Time Thieves on their social platforms: Website: https://anxiousandangry.com/collections/time-thieves-1 Facebook: https://www.facebook.com/timethieveschicago Instagram: https://www.instagram.com/timethieveschicago/ Bandcamp: https://timethieveschicago.bandcamp.com/ Review by: Bri Rodriguez  Based out of Austin, TX, Cristina Soto is a singer/songwriter who continuously seeks to grow as a “no-genre” artist. Her vocal training encompasses a wide spectrum of genres, including jazz, opera, gospel, and musical theatre. She is extensively known for her cross-genre work, specifically within the realm of EDM. She released her debut album “All I Need” in 2016.
Her collaborative efforts with EDM artists consist of these features: Psymbionic - “One Thing” Bassnectar - “Into The Sun” mixtape Illenium & Said The Sky - “Painted White” Now, Soto has revisited her breakout Tritonal track “Still With Me” that was remixed by Seven Lions in 2012. With this new acoustic version, she’s accompanied by her brother, Rob Soto (guitar), Haydn Vitera (strings), and Omar Vallejo (bass). The arrangement of these instruments serves a valuable purpose, bringing even more life to the composition. The addition of strings invoke a stronger emotional impact and permit Soto’s ethereal vocals to soar high as the prominent highlight. Soto’s raw rendition beautifully captures the essence of this track, and its underlying theme to slow down and be present with the ones you love. “Still With Me” feels captivating, as if being touched by some kind of divine force or power. “I see… I see you smiling, smiling… Slow down, Let me be still with you… Still with me…” Connect with Cristina Soto on her social platforms: Website: https://cristinasoto.com/ Facebook: https://www.facebook.com/sotosinger Instagram: https://www.instagram.com/thesotosinger/ Twitter: https://twitter.com/thesotosinger Review by: Bri Rodriguez  LA-based female duo Tarah Who? consists of Tarah G. Carpenter (vocals, guitar) and Coralie Herve (drums). Carpenter has overcome adversity from early beginnings. Despite the criticism to attempt more “ladylike” musical pursuits, she stood her ground and created her own path. Initially, Carpenter started the project as a solo endeavor in Los Angeles. She found a gig listed on Craigslist and seized the opportunity to share songs from her private inventory. The event was deemed successful, which led to the decision to form a band. Now, the group is pursuing their dreams and breaking down the obstacles that threaten to restrain them.
Previous releases include a self-titled debut album (2006), sophomore effort “Little Out There” (2013), single track “In A Rush” (2014), “Half Middle Child Syndrome” EP (2017), and “64 Women” EP (2019). The band returns with a new upbeat single “Pantomath” from their forthcoming EP that is currently in the works. The definition of a pantomath is a person who wants to know and knows everything. This track came to life and earned this fitting title through a conversation Carpenter had with another individual. The person spoke in a condescending “know-it-all” manner, criticizing musicians for their creative decisions and career paths. Carpenter shares her perspective on this subject: “Thankfully, we do not all want the same kind of success. There is no one formula to success, otherwise, it would be known and there would be no point in having a story and standing out.” The “Pantomath” music video features a warm, vibrant tone that perfectly encapsulates the old school vibes of the punk rock song. Carpenter exhibits a fierce and liberating presence as she ventures a desert setting, with the sun hanging high up in the sky. Eventually, she reaches her destination and walks across a platform. Tarah picks up her guitar and takes her stance to perform alongside Cotalie, who is already on the scene, positioned at her drum kit, and ready to rock. Throughout the band’s performance, the footage cuts to show Tarah grabbing a baseball bat and waging a warpath as she breaks bottles, flinging shattered glass everywhere. The video concludes with Tarah crossing paths with her biker friends, hopping onto a bike, and riding off into the desertscape. “Pantomath” is a fun, anthemic track that presents an energetic flair, relentless spirit, and sing-a-long chorus. The Tarah Who? duo vividly showcases female empowerment with their aggressive drum beats, raw vocal delivery, and gritty, rebellious attitude. Check out the music video for “Pantomath” here: https://www.youtube.com/watch?v=4xfeNfJJwAs Connect with Tarah Who? on their social platforms: Website: http://www.tarahwho.com/ Facebook: https://www.facebook.com/Tarahwho/ Instagram: https://www.instagram.com/TarahWho/ Twitter: https://twitter.com/TarahWho Review by: Bri Rodriguez  Dead Posey are a wedded rock duo, comprising Danyell Souza (vocalist/producer) and Tony F. (guitarist/producer/multi-instrumentalist). Based out of Los Angeles, they experienced their musical breakthrough in 2018 with standout track “Don’t Stop The Devil” and the release of their debut EP “Freak Show.” The couple recently dropped their second EP “Malfunction” with a corresponding music video for their new single “Parasite.” A variety of sonic influences can be detected in their distinct sound, reminiscent of artists that range from Marilyn Manson, Nine Inch Nails, Depeche Mode, and The Kills. The new material presents a darker tone, with the four songs showcasing a sharper industrial edge.
Opening track “Head Of The Snake” charges forward relentlessly with powerful perseverance: “Little girl, hush your mouth / But mama said I could wear the crown. / Bruised and scarred, I won’t let down. / Got a voice I’m usin’ now.” “Parasite” infects the mind with an addictive chorus: “I’ll bleed out your sickness, to let in the light. / Oh dead or alive, I’ll get you out of my sight / You’re a parasite.” “Bad Things” features lyrical references to superstitions, voodoo magic, and black cats: “Bad things come in threes, Bad luck always seems to find me. / Black cat walkin’ right beside me / Knock on wood, but I’m still jinxed.” The EP concludes with the sultry “Holy Roller”: “When you’re lookin’ over your shoulder, see the darkness comin’ right for ya… / Bring you down like a holy roller.” Dead Posey draws inspiration from the likes of David Lynch, Edgar Allan Poe, Salvador Dali, and Jim Morrison. The two members have crafted a world of their own twisted design that illustrates their dynamic force together. Souza slays with her intense vocal delivery, exhibiting her potent range throughout the four tracks. The compositions are rawfully fueled by enthralling melodies, introspective themes, haunting lyrics, and a visceral production. Dead Posey conjures up a captivating spell in “Malfunction” that bewitches their audience with the duo’s chaotic sound and leaves them wanting more. Release Date: June 19, 2020 Label: Sumerian Records/Position Music Tracklisting: 01 Head Of The Snake 02 Parasite 03 Bad Things 04 Holy Roller Personal favorite tracks: Bad Things, Holy Roller Connect With Dead Posey: Website: http://www.deadposey.com/ Facebook: https://www.facebook.com/deadposey/ Instagram: https://www.instagram.com/deadposey/ Twitter: https://twitter.com/dead_posey Review by: Bri Rodriguez  The Phoenix Within have released a new single “Tenfold”. Based out of Queens, NY, the band’s lineup consists of Omar Feliciano (vocals), Nick Narlis (bass), John Narlis (guitar), and James Narlis (drums). This anthemic track hits hard as it explores the impact of words and how the commentary possesses the power to build you up or tear you down. The band’s musical influences can be easily perceived as the sound teleports you to the 90’s and early 2000’s rock scene, reminiscent of artists, such as: The Killers, Fall Out Boy, and Taking Back Sunday. Raw vocals and guitars dominate as they work together to convey the frustration and tension throughout the composition. “Tenfold” contains an aggressive energy that raises a strong message. Be aware of the weight that your words carry: “Darkness can’t drive out darkness / only light, only light can do that. / Hatred can’t drive out hatred / only love, only love can do that”.
You can connect with The Phoenix Within on their socials: Website: https://thephoenixwithinrock.weebly.com/ Facebook: https://www.facebook.com/PhoenixWithin Instagram: https://www.instagram.com/thephoenixwithin/ Twitter: https://twitter.com/thephoenixwithi Review by: Bri Rodriguez  Singer-songwriter J. Scott is a native of Jacksonville, FL. Born Javon Scott, the classically trained vocalist discovered his love for music at a young age, through his experiences singing in church and classical choirs. He released his debut EP “Call Me When You Get This” in 2018. Scott’s cited inspirations include Kelis, Brandy, and Stevie Wonder. His collection of songs captures the full essence of the Pop and R&B spirit, as he sonically channels his musical influences and blends a delicate mix of old-school melodies over new school sounds. Scott devotes himself entirely to his craft and never gives up in the face of adversity. As an openly gay male, the vocalist acknowledges the challenges he may endure in the music industry. He encourages his supporters (aka the #ScottieHotties) to have faith in their gifts and pursue their dreams with full force because anything is possible. Scott has worked extensively over the length of two years to focus on new music, experiment with different approaches, and expand his distinct sound. Fans have been anxiously anticipating the release of new material and his fresh single “edibles” proves the delay was well worth it. The slow jam infuses trap elements, poignant electric guitar, and piercing, soulful vocals.
J. Scott recalls “I had the idea of writing a song called ‘edibles’ coming back from LA Pride last year. That dream manifested one night in one of my most memorable sessions where myself and a good friend had one too many magical cookies and created an audio moment.” The single “edibles” provides only a sample taste of what to expect from Scott’s new material and leads to his follow-up sophomore release. Be sure to check out J. Scott’s new EP “Adoration” that recently dropped on June 26, 2020. Connect with J. Scott on his social platforms: Website: https://www.jscottofficial.com/ Facebook: https://www.facebook.com/j.scottmusicofficial/ Instagram: https://www.instagram.com/j.scott/ Twitter: https://twitter.com/hisnameisjavon Review By: Bri Rodriguez  Jeb Bush Orchestra is an “entirely apolitical, mostly instrumental” Boston-based funk band. The group recently released their lead single “Space & Time” from their upcoming album “Greatest Hits Vol. II”, which is slated to drop on July 24, 2020. Jeb Bush Orchestra is Luke Bergamini (bass), Grant Bloom (guitar), Willis Edmundson (drums), and Ben Hammer (keyboards). This musical project was formed with only one sole purpose in mind - to make one dance. “Space & Time” is best encapsulated as “infectious pure funk” that grooves with featured vocals from Bloom, while showcasing the style of music the band loves to play and create together. The young musicians prove their technical capabilities with synth-filled hooks, beguiling melodies, and tube amp guitar solos. This track feels like a journey through space and time itself; transmitting retro vibes with a sugary sweet infusion of dance, blues, and disco elements with soul.
You can connect with Jeb Bush Orchestra on their social media platforms and keep up with new content. Check them out here: Website: https://www.jebbushorchestra.com/ Facebook: https://www.facebook.com/JebBushOrchestra/ Instagram: https://www.instagram.com/jebbushorchestra/ Review by: Bri Rodriguez  Dan Kert and Paul Love comprise the London based alternative rock duo, Plastic Barricades. Kert plays the mastermind role on guitar, keyboards, and vocals, alongside Love, who takes charge of slaying on the drum kit and production. The group sets themselves apart with vivid, introspective lyrics that contemplate life, raise pondering questions, and search for viable answers. This strategy persists with the release of their new track “Tunnel”, which is the third single from their upcoming LP “Self-Theories.”
The query presented this time: “How would your anxieties look under a microscope?” “Driving through a tunnel - and the rain just stops. You’re on your own for now, you really miss that sound. / Scared of being left alone with your thoughts and feelings you’ve ignored, Only static on the radio. / Mixed with emptiness from long ago.” “When all the noises fade and you can hear your heart, / It’s beating fast. Transcending all that happened in your past. / Embrace the darkness if you want to win this fight. Please carry on, keep searching for the light.” The song is straightforward in its message. Life often feels like a road, filled with all of its twists, turns, and tunnels that leave one frozen with fear, uncertainty, and claustrophobia. It’s pitch dark and your vision is compromised, as you are traveling with no directions or map in your possession. And there’s no turning back. The only possible route you can take is to proceed in moving forward. “Tunnel” provides a hopeful reminder that this path is only temporary and no tunnel lasts forever. Do not give up. You made it through the previous tunnels and you will find the light again as you navigate your way and finally escape this one. “Reverberating sounds. / Maybe you have lost the way, Took a wrong turn somewhere one fine day. / Now you’re trapped inside this endless game, Of hope and fear and desperation.” The concept for the corresponding DIY music video was brought to life by art director Elina Pasok and Dan Kert. Sonically, the band attempts to reinvent themselves and consistently experiment with new styles and sounds. Their wide range of inspirations and musical influences include Radiohead, Foo Fighters, Muse, Death Cab for Cutie, Placebo, Snow Patrol, The Shins, and Nirvana. Instrumentals paint a vivid picture with sparkling bass, resounding guitar work, and enigmatic vocals. This composition speaks with beautiful melody, melancholy, and honesty. Plastic Barricades are a breath of fresh air, providing an urgent sense of nostalgia and comfort. Keep an eye out for this band as their future deems colorfully bright. “And it starts becoming brighter, / You feel you’re close, but you’re still frightened. Just one more bend before this tunnel ends.” “When all the noises fade and you can hear your heart, / It’s beating fast. Transcending all that happened in your past. / Embrace the darkness if you want to win this fight. Please carry on, emerge into the light!” Tunnel facts:
Connect with Plastic Barricades on their social platforms: Website: http://www.plasticbarricades.eu/ Facebook: https://www.facebook.com/plasticbarricades Instagram:https://www.instagram.com/plasticbarricades/ Twitter: https://twitter.com/plasticb Review by: Bri Rodriguez  Jen Janet cannot be conquered. She has achieved success in multiple creative outlets, including fashion, modeling, and photography. Her musical endeavors consist of the 2017 release of a pop-oriented EP “Dangerous” as a solo artist, and the roles as frontwoman and lyricist for progressive rock band Mimesis and gothic metal act Novarium. Now she is back with new solo material that embraces a darker direction.
“I Don’t Belong” heavily correlates with the single “Possession” as it feels like an epilogue track, picking up the pieces and extending the narrative. This marks a contemplative single with an orchestration that molds perfectly with Janet’s empowered vocals. Sonically, it is similar in nature to “Possession” with electronic elements and a cinematic ambience. The track is reminiscent of artists like Lacuna Coil and Chelsea Wolfe. This composition exhibits powerful drums, an ethereal melody, and a dominating vocal delivery. Janet exposes her vulnerability as she fights an internal battle and struggles to hold steadfast: “I’m so empty, heavy. The light behind my eyes is fading with time / I don’t belong, I won’t be long”. The highlight of the song occurs at the bridge, where the instrumentals are stripped back, isolating Janet’s vocals with supporting background harmonies. The piece then continues to escalate until fading out. This strategy ties everything together and effectively concludes the track on a strong note. “I Don’t Belong” is a penetrating labyrinth, prominently fueled by emotive lyrics and an emotionally charged vocal performance. Janet brilliantly shines in her work as it showcases her evolution and solidifies her presence as a solo rock artist. “I Don’t Belong” was released today July 31, 2020. Connect with Jen Janet on her social platforms: Website: https://jenjanet.com/ Facebook: https://www.facebook.com/jenjanetmusic/ Instagram: https://www.instagram.com/jenjanetmusic/ Twitter: https://twitter.com/jenjanetmusic Review by: Bri Rodriguez  Post-hardcore band Same Gods have released the single “Remission” from their upcoming debut album “Worried Eyes”, which drops on July 10, 2020. The quartet originates from New York, with a lineup that consists of: Jon Davis (vocals), Brendon Flynn (guitar), Shane Conzone (bass), and Steve Sopchak (drums). This song established a strong foundation for the band and set everything in motion, providing both inspiration and the necessary momentum to push forward and reach their goals as a group. All of the members are experienced musicians who have pursued different routes within the industry, working alongside other bands and fulfilling roles in writing, producing, and touring. Their diverse backgrounds proved beneficial once the timeline finally aligned for them to join forces and form the project that would become Same Gods. Sonically, the single invokes a sense of nostalgia as it feels like a time capsule that has traveled back to the 90’s era of grunge and alternative rock, with a sound complementary to bands such as Helmet, Soundgarden, and Thrice. This track expresses an earnest cry out for answers, a sensation of being haunted by a ghost-like emptiness, and a search for more purpose in life. Melodic riffs, melancholic harmonies, and emotive lyrics stand out in “Remission”, providing a poignant sample of what is yet to come from their anticipated debut release: “Searching for some sign of life / And my head keeps spinning, through the life in plastered eyes / Like a cold world satellite”.
You can connect with Same Gods on their social media platforms and keep up with new content. Check them out here: Website: https://samegods.com/ Facebook: https://www.facebook.com/samegods/ Instagram: https://www.instagram.com/samegods/ Twitter: https://twitter.com/samegodsband Review by: Bri Rodriguez  Jen Janet is a mighty force to be reckoned with. She has explored the creative avenues of fashion, modeling, and photography. Musical endeavors include the 2017 release of her pop-oriented EP “Dangerous” as a solo artist, and the fulfillment of roles as lead vocalist and songwriter for progressive rock act Mimesis and gothic metal band Novarium.
A distinct shift in style is established in Janet’s new solo material, unveiling a powerful, darker sound that features symphonic elements, dynamic instruments, and an intense infusion of rock and electronics. Janet’s single “Possession” adopts an atmospheric quality that is supported with eerie choir vocals and poignant lyrics that illustrates the desire to escape a toxic relationship, break away the chains, and be your own person, free from the expectations of others: “Can you take back my demons? I don’t want them anymore / “I don’t belong to you”. The composition is reminiscent of artists like Evanescence and Within Temptation, complete with synthesizers, illuminating hooks, and an orchestration that blends intricately with Janet’s captivating vocal delivery. This haunting track evokes a cinematic feel and pulls back the curtain, showcasing Janet’s tenacious spirit and her growth as a solo rock artist. “Possession” was released today July 8, 2020. Connect with Jen Janet on her social platforms: Website: https://jenjanet.com/ Facebook: https://www.facebook.com/jenjanetmusic/ Instagram: https://www.instagram.com/jenjanetmusic/ Twitter: https://twitter.com/jenjanetmusic Review by: Bri Rodriguez  European alternative rock band Halflives are back with a new EP “Resilience” that comprises five experimental tracks, showcasing the further progression of the trio since the release of their debut album “Empty Rooms” in 2017. The band’s lineup consists of Linda Battilani (vocals), Oscar Scantamburlo (bass), and Fede Bernadi (drums). The new material displays a significant change in direction compared to the group’s previous work. This transition is evident as soon as the lead single “Rockstar Everyday” begins playing, the song features a catchy chorus and mixes EDM components with an alternative pop sound. “Snake” spins a tale of karma and gives off strong Slytherin vibes as front woman Battilani, enchants with her vocal delivery and visual lyricism. “Time Bomb” stands out as an energetic pop-punk track with a guest appearance from Sleeping With Sirens vocalist, Kellin Quinn. “One Bad Day” compellingly tackles the topic of mental health with instrumentals that juxtapose its serious subject matter. The upbeat “Hard to Break” anthem closes the EP on an inspiring note. This new era exhibits the growth and boldness of a band that is still in the early stages of their music career. Every “Resilience” track takes on a life of its own, and illustrates individual perspectives of an emotional whirlwind journey. Halflives succeeds in showing off their versatility and shines brightly with vibrant, infectious compositions that blend an infusion of alternative rock, pop, and electronic elements. “Resilience” is a strong follow-up in the band’s discography, depicting the band’s absolute courage to challenge themselves, think outside the box, and explore new musical territory.
Release Date: March 13, 2020 Label: Self-Release Tracklisting: 1. Rockstar Everyday 2. Snake 3. Timebomb (featuring Kellin Quinn) 4. One Bad Day 5. Hard to Break Personal favorite tracks: One Bad Day, Timebomb, Snake You can follow Halflives on the following social platforms: Website: https://www.wehavehalflives.com/ Facebook: https://www.facebook.com/wehavehalflives Instagram: https://www.instagram.com/wehavehalflives/ Twitter: https://twitter.com/wehavehalflives Review by: Bri Rodriguez  Since their formation in 2016, Halflives have fought to overcome hardships and spread their message of pushing forward whenever life feels “like a half life”. The alternative rock band originated from Europe and developed a following on YouTube with artist covers before breaking out on the scene. They quickly sparked interest with the release of their debut single “Mayday” and with the support of their fans, the band was able to record their debut album, “Empty Rooms”. “Lone Wolf” is an anthemic track that sets everything off, opening with an electronic introduction and maintaining a steady rhythm throughout, molding perfectly with Linda Battilani’s captivating vocal delivery. The following track “Burn” proceeds to demonstrate the front-woman's powerful capabilities. Sonically, there are scattered traces of other female-fronted rock that is reminiscent of acts like Against The Current, Tonight Alive, and PVRIS. As the album progresses, Halflives continuously showcase their unique spirit and determination with a creative fire that burns relentlessly, showing no signs of wavering. The band’s strongest work dwells in the compositions that express the most vulnerability. Reflective urgency pours out and saturates in “The Sickness”, while “Empty Room” cries out with full sincerity from the very first note: “I’m feeling like an empty room / and everyone can see right through”. An atmospheric quality is beautifully captured within the ethereal “Collide”, which concludes the album with a resonating profoundness. This LP is filled with synthesizers and a raw, prominent vocal performance that syncs perfectly with the soaring instruments. But beyond the quality of the production, it is the heart of Halflives that radiates most strongly in their debut. “Empty Rooms” is a collection of eight tracks that strikes with fueled authenticity, emotive lyrics, and a powerhouse sound.
Release Date: April 14, 2017 Label: Self-Release Track listing: 1. Lone Wolf 2. Burn 3. Mayday 4. Echo 5. The Sickness 6. Half Alive 7. Empty Room 8. Collide Personal favorite tracks: Empty Rooms, Collide, The Sickness, Lone Wolf You can follow Halflives on the following social platforms: Website: https://www.wehavehalflives.com/ Facebook: https://www.facebook.com/wehavehalflives Instagram: https://www.instagram.com/wehavehalflives/ Twitter: https://twitter.com/wehavehalflives Review by: Bri Rodriguez |